Mary Isobel Catherine Bernadette O’Brien’s lost album, now resurrected.

The Night Before the Space Age is the new album from cult Portuguese singer Bernardo Devlin. The Night Before the Space Age follows his 2021 two CD album release Chroma Key. Based in Lisboa, Portugal, Devlin has composed for stage and screen as well as having released a slew of acclaimed solo albums and collaborated with all manner of avant-garde artists including Osso Exótico, an experimental group he co-founded in the late 1980’s and English composer and pianist Andrew Poppy and Swedish-American multi-instrumentalist Helena Espvall, who contributes to this album.

Forced Fun For The Just OK Life is what happens when a songwriter, fed up with modern life, decides to document the quiet madness of being alive—through lush baroque pop, punchy punk, blues rock, indietronica, dream pop, and the occasional sarcastic guitar solo. A cocktail that’s hard to take in one sip.

As James Dyer’s “Tired Eyes” hits the airwaves on 27th Jun 2025, it brings to life a melody born from the artist’s travels and experiences. The cello, expertly layered by Alasdair Henry, adds an orchestral touch to the track, creating a standout atmosphere. Produced and mixed by MTCHLR, the single stands out for its melodic essence and thoughtful songwriting. James’ dedication to crafting meaningful music shines through in this release, offering a glimpse into his musical evolution and showcasing his commitment to creating songs that resonate with audiences.

Monday 10:55 is the new EP from Oxford band bedd, a musical project led by singer, songwriter, composer, and producer Jamie Hyatt. The Monday 10:55 EP is due for release on 27th June 2025. Jamie is a longstanding Oxford musician known for his previous bands The Family Machine, The Daisies and Medal as well as his scores for films Elstree 1976 and The Life and Deaths of Christopher Lee.

Leyla Romanova is a composer who creates music of different genres – from orchestral and neoclassical piano music to techno.

With influences stemming from punk, ska, and anti-folk backgrounds, Saint Nick the Lesser draws inspiration from seasoned artists like Laura Jane Grace, Chuck Regan, and Tim Barry, with a particular nod to the impactful stylings of Frank Turner evident in “21 Minutes.” Delving into the poignant narrative of a suicide attempt and the subsequent journey towards redemption, the track serves as a beacon of hope and resilience in the face of adversity.

Shadow Genesis is the latest EP from Washington DC’s Zabus, in what has been a highly prolific period for the avant-garde post-punk outfit. Sustaining the momentum from their two most recent full-length albums, Automatic Writhing (September 2024) and Floodplain Canticles (January 2025), the new EP showcases select tracks from both of these releases; along with a brand-new song from the next Zabus album, Whores of Holyrood (August 2025).

“Watermelon” is the powerful new single by The Zaramutas, blending heavy guitars, pounding drums, and emotive vocals to deliver a raw call for justice. Written in response to the war in Palestine, the song draws its name from the watermelon—a symbol of resistance and survival. It channels grief, solidarity, and defiance into a politically-charged piece of alternative rock. The single arrives ahead of a full album later this year.

Peruvian double flutes gives this track a unique and mysterious sound. A story is told from two perspectives in this duet, with both halves arriving at the same place in the end (no mention of piña coladas).

David Cloyd returns to the national spotlight with his first record in more than a decade, Red Sky Warning (ECR Music Group). Co-produced and mixed by indie-music polyglot Blake Morgan (Lenny Kravitz, Janita, Lesley Gore), this new record finds Cloyd hitting the same brilliant note his earlier work struck, but at a higher yet deeper emotional octave.

The SKBs is not a band in the traditional sense, but a collective of top-tier musicians led by songwriter Al Sharp, collaborating to bring stories and soundscapes to life. Featuring Leon Cave (of Status Quo) on drums, the project blends classic rock spirit with a modern edge. The SKBs’ music is made with heart, energy, and zero shortcuts – no AI-generated sounds, just real instruments and real musicians in the studio.

Another brilliant Lewis album, with all the passion, grace, and skill we’ve come to expect from this exceptional artist and his stalwart crew.

Oreaganomics’ music captures the essence of summer, addressing the lack of carefree vibes in today’s society, where people are increasingly disconnected from the real world. Released on June 24, 2025, this track serves as a timely reminder to prioritize human connections over virtual distractions, resonating with audiences worldwide.

Airy and beguiling, with all the winsome beauty and smooth intricacy of The Sea and Cake, “From Dust” is a lovely, mesmerizing five-song EP from Wild Blessing that dabbles in post-rock, indie-pop, and folk, its youthful charms and concerns casting a spell.

Ottawa-based pop-punk band MAJORS are teeing up something unforgettable with the release of their first-ever music video for their latest single ‘Etiquette’ streaming now on YouTube. The video showcases a dynamic collaboration with Juno Award-winning cinematographer Peter Schnobb (Bahamas, Sarah Harmer), who brought the high-energy visual to life as director and producer.

Based in Philadelphia, PA, Merit Maker is the heart and soul of songwriter and bassist Joe Stanton. The aim is to bring the fun back to punk rock. After being part of a few different bands, Stanton learned that he was never satisfied with the overall direction of the output or having to deal with the personalities of other band members. The music was not the way he envisioned it. The result was the launch of his solo project Merit Maker.

Wonderlick’s two founding members, Jay Blumenfield and Tim Quirk, came together in December 2000 to record free music for a website. The two had previously performed together under different guises (most notably as one half of the smart punk-pop outfit Too Much Joy), but this new project resulted in a concept album that was crafted over the course of a year. Using the Internet, Wonderlick released free individual songs from the project until the album was finished, and included friends such as Spark vocalist Wendy Allen and magician Penn Jillette in the process. The album was ultimately released by Future Farmer Recordings in 2002, followed seven years later by the duo’s second effort, Topless at the Arco Arena.

Building on their acclaimed 2024 debut album Red Mist, with standout singles ‘Incantation’ and ‘Red Mist’, Tian Qiyi continues to forge a sound that blends dub, post-punk, and experimental production with rich influences from Traditional Chinese, Mongolian, and Irish music.

Clearly classically trained, the Cincinnati native is more likely to imply his skill than put it on display, putting the tunes in charge.

W.C. Beck is an itinerant singer/songwriter from Kansas who has called Brooklyn, NY home after long stints in Portland, OR and Paris, France. Beck’s songs span from indie folk to classic country and tell of the American heartland and a forgotten epoch. With catchy melodies and sophisticated compositions, most songs find their depth in the personal, moving narrative.

“Afternoon In June” marks a significant milestone for Bury The Pines. This track, the first one written as a complete band with Evan fully integrated into the lineup, showcases the band’s evolution and musical maturity. The song’s diverse elements and collaborative approach highlight each member’s talents, resulting in a refreshing and dynamic sound that sets them apart in the music scene.

This song is about how a couple survive a rough time in their relationship. They realise they’ve been both loved and hurt but decide to carry on and get through it as they did before. Matt Saxton’s fourth single from his new album is about this universal challenge. The song has a steady groove and climaxes with a saxophone solo.

Now signed to Rexius Records, Valvet is preparing to unveil a four-track EP, further refining their signature mix of introspective indie aesthetics and soaring rock choruses. With a growing fanbase and new music on the horizon, Valvet is quickly establishing itself as a rising force in Swedish indie and alternative rock.

Max Chaos takes us on a wild adventure with the music and video for “Ride The Wave” that slices back and forth between his surreal reality and his animated alter ego, who dives into his passion for metal music, muscle cars and surfing above the crowd to escape from the reality of everyday hassles that we can all relate to in our daily struggles and even more so in the current world disorder.

Based in Buffalo, Dotsun Moon is the creative wellspring from which Richard Flierl’s musical visions flow, transforming his artistic inspirations into tangible form. Seeing several incarnations since releasing their debut album 4 A.M. in 2011, the trajectory remains steadfast on a path of dreamy rock offerings over the years, with multi-instrumentalist Flierl also gradually assuming vocal duties.

Lucas Pasley is an old-time fiddler/banjoist and singer-songwriter from Sparta, NC, in the heart of the southern Appalachian mountains. Rooted in traditional Appalachian and Country music, Lucas often pulls lyrics from his family’s writing in addition to his own and there’s an emphasis on instrumental solos and harmony singing throughout his music. His first album, Souls Living On, is a collection of four generations of songwriting in his family and a new album is scheduled for release in 2022.

KB-S, hailing from Minneapolis, United States, is the sole contributor behind the mesmerising original single, “The Heart’s Knot.” With a unique blend of Lo-Fi, downtempo, hip-hop, and indie rock, KB-S creates a cinematic and emotionally raw sound that resonates deeply with listeners. This release marks a significant moment in KB-S’s musical journey, showcasing emotional honesty and a distinct approach that sets the artist apart in the music industry.

For her eighth record, Younger swings, plays the blues, and takes full advantage of the harp’s distinctive sound – dreamy, romantic, mysterious, even cosmic.

Out on June 25th, “Good Dreams” is a memorable track from Virginia-based duo Higher Selves Playdate, coming via their upcoming album The New Apocalyptic, out on July 30th. Synths and fuzzy, melodic guitars intertwine with hooky vocals throughout.

Sirenglas returns with “Forest Mother”, a darkwave synthpop track that weaves a haunting narrative around an ancient nature deity, embodying both nurturing and fearsome aspects of the wilderness. Its atmospheric soundscape and lyrical imagery evoke a mystical journey through shadowy landscapes, where the Forest Mother stands beneath a pale moon, calling forth the spirits of the land.

Flora Lin is a singer-songwriter based in Belgium, often collaborating with other artists. She draws influences from Shoegaze to Post-Rock. ”Lion, Pt. 2” is a collaboration with Recreational Noise, a raw anthem about the willingness to lose ourselves to protect the ones we love. It speaks of hiding scars and past pain to keep others safe, even going as far as sacrificing our sense of self to let them shine. ”When I give you my love, I want it to become your strongest weapon.”

From gold records to Grammys, Anthony has worked with many prominent people in the industry. In the past few years, he has stepped out from behind the recording desk and taken center stage. He has proven himself as both a talented songwriter and a compelling performer. This new single encapsulates everything about Anthony – his studio prowess, his guitar abilities, his songwriting, and his vocal capabilities.

Recorded in their parents’ home in Austin, “Teenage Scum” is a powerful track that serves as a preview of Art Pop’s upcoming LP, “his Is Art Pop. Reflecting on themes of loneliness, longing, and frustration with the world, the album was a labor of love for Max and Miles, who poured their hearts and souls into the project. Despite Miles’ departure for college, the brothers overcame the distance by collaborating virtually, showcasing their unwavering dedication to their craft and unique sound.

While Kevin Driscoll’s musical influences span a wide range—including legends like Bruce Cockburn, Joni Mitchell, Nick Cave, and *Weather Report*—his unique voice and heartfelt lyrics make this release truly his own. “Black It Out” resonates with listeners, offering a haunting yet cathartic reflection on heartbreak and resilience.

Blending anthemic alternative pop-rock with a lifetime of lived experience, Natzel —the project of UK artist Wayne Natzel —arrives with a bold and deeply personal debut album, Bring It On. Led by the fiery single “Let It Go,” the record showcases a sound influenced by Arctic Monkeys, The Gorillaz, Foals, and even a touch of Michael Jackson, infused with the energy of a stadium performance and the introspection of a survivor.

Iconic indie-rock veterans The Feelies return with more superb covers, recorded here and there over the years. Tightly remade with their jangle-pop expertise, these versions crackle with life.

After releasing their debut EP “Grotesque Radio” (2021), a full length album “Legend of the Bleeding Heart” (2023) Golem Dance Cult will release their new album “Shamanic Faultines” Friday the 13th of June 2025 on vinyl (black and limited edition of Splatter), cd and digitally.

Formed in February 2022, Guild Theory is a captivating British alternative rock band duo hailing from England. Comprised of Matt Smith on vocals, lyrics, and synths, and Rob Lewis on music and multi-instrumentation, the duo began their musical journey after connecting on a music forum. Their unique blend of alternative and progressive rock has been evolving ever since, culminating in their latest original single, “Vampiric Desires,” which is set to release on June 17, 2025, offering listeners a fresh and modern sound that effortlessly combines elements of early 2000s rock with a contemporary twist.

Darling Black is the solo project of Dylan Hundley from Lulu Lewis. A one-woman synth-based arrangement influenced by trip-hop, electroclash & minimal wave.

“Never Where I Am” sets the emotional tone for A Soulful Tapestry of Americana, a record rooted in themes of love, loss, and rediscovery. Blending elements of folk, rock, and country, the album showcases St. John’s lyrical artistry and the emotional sincerity that has earned him a loyal and growing fan base.

Renowned sophistipop artist Le Concorde, the musical alias of Los Angeles based singer-songwriter Stephen Becker, returns with an exhilarating new single, “Saint James,” set for release on June 20. The track is the second single from the upcoming full-length album Second Mansions, following the warmly received “Corpus Christi” (whose video just got selected for the Golden Door International Film Fest), released in February.

BDL gets the details right. Big choruses, subtle songwriting, indie pop in places with a dose of 70’s rock. Based in Milwaukee, WI, Bicentennial Drug Lord was formed by longtime friends John Daniels (Soda, Maki), Rick Donner (Punchdrunk) and Alan Weatherhead (Soda, Maki, Sparklehorse, Hotel Lights)

This EP, “Circle of Light,” is comprised of three recently-released singles, (“Don’t Look Back, “Eclipse,” and “Dream Hangover”) plus two new tracks: the titular single, “Circle of Light,” as well as a spooky, loopy intro instrumental track, “Blood Moon.” Mystical and occult-tinged post-punk and darkwave, where past lives and loves are transmuted, and reborn into a new vessel, one which is guided by unseen forces, intuition, a liminal space that exists between life and death, darkness and light.

For over 4 decades, Fishbone has been a band that has been influential, game changers, replicated but never duplicated. Starting in High School, these 6 young men kicked off playing talent shows and parties as Megatron. When getting out to the live gig life and getting taken under the wing of The Bus Boys, the band was encouraged to take the name Fishbone…and that was that. Now back with their first full length album in twenty years.

This EP is a suite of a half dozen songs recorded with two time Grammy winning producer/arranger Nahuel Bronzini (Mixing Engineer, Fantastic Negrito) and his musical counterpart Felipe Ubeda (aka Cigarbox Man).

Musically, Sunrise pulls from a wide spectrum of influences. Vennis and the band weave together elements of the Manic Street Preachers and Gang of Four, mixing in flavours of REM and The Clash. The EP also nods to old-school blues and soul, all of which is seasoned with a rebellious punk rock attitude. The result is a genre-defying sound that merges different musical traditions into one seamless, politically charged cocktail.

Riffin’ Griffin songs are inspired by catchy, power-pop bands like Weezer and riff-heavy bands like Muse, with the fun, silly, educational lyrical content of Sesame Street. Like a good animated film, Riffin’ Griffin strives to create something that kids and adults can enjoy together. By the end of each show, kids can’t help but sing, yell, clap and dance along!

As GoGo Penguin embarks on its seventh studio voyage with Necessary Fictions, the Manchester trio adds some subtle changes to its jazz/classical/electronic goulash.