Peppermint Moon’s The Flipside is a hazy, hook-laced psych-pop head trip—melodic, moody, and sharp at the edges.
Peppermint Moon’s The Flipside is a hazy, hook-laced psych-pop head trip—melodic, moody, and sharp at the edges.
“I never set out deliberately to write in a particular genre – I don’t do pastiche. I don’t wake up thinking, “Today I’m going to write a song in the style of George Brassens.” But it’s usually clear from very early on (my songwriting process almost always starts with a phrase or line of words and music that arrive together), what the overall sound of the song is going to be, and what sort of arrangement it needs.” – Jessica Griffin
“I never set out deliberately to write in a particular genre – I don’t do pastiche. I don’t wake up thinking, “Today I’m going to write a song in the style of George Brassens.” But it’s usually clear from very early on (my songwriting process almost always starts with a phrase or line of words and music that arrive together), what the overall sound of the song is going to be, and what sort of arrangement it needs.” – Jessica Griffin
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
