“The weight of the world is weighing down on us like never before. ‘Heavyweight’, as most of the songs on this album, laments about a growing sense of discomfort in one’s own skin as one sees the world as we know it is coming to a halt and algorithmically designed divisiveness makes way for neo-facism.” -Iguana Death Cult
“The weight of the world is weighing down on us like never before. ‘Heavyweight’, as most of the songs on this album, laments about a growing sense of discomfort in one’s own skin as one sees the world as we know it is coming to a halt and algorithmically designed divisiveness makes way for neo-facism.” -Iguana Death Cult
With a career spanning Little Red Rocket, Azure Ray, and eight solo albums, Maria Taylor has never been one to stand still. Her latest record, Story’s End, is the sound of an artist at the peak of her powers, turning major life changes into one of the most compelling albums of her career.
With a career spanning Little Red Rocket, Azure Ray, and eight solo albums, Maria Taylor has never been one to stand still. Her latest record, Story’s End, is the sound of an artist at the peak of her powers, turning major life changes into one of the most compelling albums of her career.
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
