“For me personally, I’m describing what it feels like to be in a social setting while being maxed out on my social meter. I have a big people-pleasing problem (working on it), so I’ll keep pushing through social interactions even when I have nothing left to give, so what comes out of my mouth at that point is usually just that: filler, forced smiles, canned responses, bullshit.” – Tommy Ng
“For me personally, I’m describing what it feels like to be in a social setting while being maxed out on my social meter. I have a big people-pleasing problem (working on it), so I’ll keep pushing through social interactions even when I have nothing left to give, so what comes out of my mouth at that point is usually just that: filler, forced smiles, canned responses, bullshit.” – Tommy Ng
“I’m a great believer in the less I know, the more original my ideas will be. There are too many rules and regulations telling you how to play a chord, how to write a song, what amp or effect to use to get a certain sound. I find my choice of sound creation to be completely random and open to circumstance.” – Brian Futter
“I’m a great believer in the less I know, the more original my ideas will be. There are too many rules and regulations telling you how to play a chord, how to write a song, what amp or effect to use to get a certain sound. I find my choice of sound creation to be completely random and open to circumstance.” – Brian Futter
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
