Peppermint Moon’s The Flipside is a hazy, hook-laced psych-pop head trip—melodic, moody, and sharp at the edges.
Peppermint Moon’s The Flipside is a hazy, hook-laced psych-pop head trip—melodic, moody, and sharp at the edges.
“The scary thing came when I had to play it to people because until now, it’s what’s been in my head. Once you put it out into the public arena and if you get laughed at it’s all on you. Whereas if Ride put stuff out and it gets laughed at, it’s the four of us. So, it was quite nervy.” – Steve Queralt
“The scary thing came when I had to play it to people because until now, it’s what’s been in my head. Once you put it out into the public arena and if you get laughed at it’s all on you. Whereas if Ride put stuff out and it gets laughed at, it’s the four of us. So, it was quite nervy.” – Steve Queralt
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
