“Hair” was written just a week before the Portland, OR trio OGRE went into the studio—a sweetly silly, scattershot piece. “It’s about the biological relevance of hair growing on heads and crotches—it kind of came out gross.” Musically, the track also underscores the power of the band’s two-bass attack.
“Hair” was written just a week before the Portland, OR trio OGRE went into the studio—a sweetly silly, scattershot piece. “It’s about the biological relevance of hair growing on heads and crotches—it kind of came out gross.” Musically, the track also underscores the power of the band’s two-bass attack.
Liam Creamer is as fueled by the recording process as he is by the writing. His debut 6-song EP, under the moniker Ken Park, captures fleeting moments rather than a singular narrative. The record spans a vast sonic range, moving from the fuzzy shoegaze of “Maybe Delete” to the haunting, acoustic-driven “Sleep Paralysis,” which sits at the intersection of Simon & Garfunkel and Elliott Smith.
Liam Creamer is as fueled by the recording process as he is by the writing. His debut 6-song EP, under the moniker Ken Park, captures fleeting moments rather than a singular narrative. The record spans a vast sonic range, moving from the fuzzy shoegaze of “Maybe Delete” to the haunting, acoustic-driven “Sleep Paralysis,” which sits at the intersection of Simon & Garfunkel and Elliott Smith.
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
