“I played ‘Tilda Lee’ at a solo show. I told the crowd that it’s about a woman who turns to God because her son committed suicide. After the show, from the merch table, I see a woman crying with her husband next to her. I asked her what was wrong, and she told me that that’s what happened to them just a month ago. I knew then that the greater truth behind the song was important. Me and my family didn’t have that happen in our lives, but there’s real emotions in it that I’ve seen and experienced.” -Chris Comper
“I played ‘Tilda Lee’ at a solo show. I told the crowd that it’s about a woman who turns to God because her son committed suicide. After the show, from the merch table, I see a woman crying with her husband next to her. I asked her what was wrong, and she told me that that’s what happened to them just a month ago. I knew then that the greater truth behind the song was important. Me and my family didn’t have that happen in our lives, but there’s real emotions in it that I’ve seen and experienced.” -Chris Comper
With his latest album Long Live the Low now out, a tour lined up, and memories of sharing stages with some iconic names still lodged firmly in his memory, I sat down with Sean Keily to learn more about him, his music, and what the future might hold.
There’s a hum like 1000 decisions demanding to be made. The pressure to compete, consume, create, compare, capitalize & not capitulate will make your eyeballs sweat. It’s spiritual tinnitus. The cure is disconnecting body from brain with the vibrant heartfelt rumble of Minneapolis’ Black Widows.
There’s a hum like 1000 decisions demanding to be made. The pressure to compete, consume, create, compare, capitalize & not capitulate will make your eyeballs sweat. It’s spiritual tinnitus. The cure is disconnecting body from brain with the vibrant heartfelt rumble of Minneapolis’ Black Widows.