“For me personally, I’m describing what it feels like to be in a social setting while being maxed out on my social meter. I have a big people-pleasing problem (working on it), so I’ll keep pushing through social interactions even when I have nothing left to give, so what comes out of my mouth at that point is usually just that: filler, forced smiles, canned responses, bullshit.” – Tommy Ng
“For me personally, I’m describing what it feels like to be in a social setting while being maxed out on my social meter. I have a big people-pleasing problem (working on it), so I’ll keep pushing through social interactions even when I have nothing left to give, so what comes out of my mouth at that point is usually just that: filler, forced smiles, canned responses, bullshit.” – Tommy Ng
“Schrammelig originally came from a review of a chaotic but great gig in Hamburg, saying we were “shrammelig-er” than Beth’s other bands. Google translated it as “crappier” which made it even funnier, though it actually refers to a raw, unrefined classical music…” – Shaun Charman
“My vocal delivery doesn’t have anything to do with Medway or Glasgow or else I’d be singing with a Glaswegian accent, which would be nice! I’d love to read an interview where you ask Billy Childish these exact questions; that would be a hoot!” – Beth Arzy
“Schrammelig originally came from a review of a chaotic but great gig in Hamburg, saying we were “shrammelig-er” than Beth’s other bands. Google translated it as “crappier” which made it even funnier, though it actually refers to a raw, unrefined classical music…” – Shaun Charman
“My vocal delivery doesn’t have anything to do with Medway or Glasgow or else I’d be singing with a Glaswegian accent, which would be nice! I’d love to read an interview where you ask Billy Childish these exact questions; that would be a hoot!” – Beth Arzy
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
