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Isaac Gibson reflects on how living in a small mountain town in Virginia helps shape 49 Winchester’s sound on the band’s new album, Fortune Favors the Bold and how to feel a sense of “home” when playing in big cities.
Larry Jaffee, author of ‘Record Store Day: The Most Improbable Comeback of the 21st Century,’ shares his five favorite Record Store Day releases.
Following the release of his fifth solo album, The Social Animals, former Verbena bassist Duquette Johnston shares what it was like working with John Agnello, talks about balancing priorities, and shines the light on Birmingham, Alabama.
Hannah Judge of fanclubwallet shares her five favorite Rilo Kiley songs.
After drugs and alcohol nearly derailed Nashville’s Joshua Hedley’s career, the now-sober singer/songwriter is back with an album paying homage to the ’90s country music he grew up listening to.
The Muffs bassist Ronnie Barnett shares his five favorite KISS songs.
EXTC featuring original XTC drummer Terry Chambers concluded a sixteen-date North American club tour April 9th in Toronto. The band will resume live shows in the UK in July. It has been forty years since XTC toured the United States, and hardcore fans were keen to attend. Philamonjaro interviews the band.
Slowdive frontman Neil Halstead talks about working on the soundtrack for indie film The Unknown Country
Pat Graham of Philadelphia’s Big Nothing shares how the band approached writing and recording Dog Hours in the midst of the pandemic and the never-ending quest he’s on to write the perfect pop song.
Author Jim Ruland talks about his new book ‘Corporate Rock Sucks: The Rise and Fall of SST Records.’
“I think figuring out better ways to record and sing was another reason I wanted to work with more people on this album rather than doing it myself again and just keep doing the same thing. I mean, even the first project there was not anything that I didn’t like about the way it turned out but I wanted to try something new and see if there was something I could be doing better.” – Matthew Doty
An exclusive excerpt from the new book, ‘Forbidden Beat: Perspectives on Punk Drumming.’
What do you get when you mix the outlaw country songwriter/producer Shooter Jennings with a predominant name in the hip-hop world, Yelawolf? Probably not what you’d expect. Sometimes Y delivers a modern rock album with influences from the ’70s, ’80s and ’90s. Jennings and Yelawolf share with us how they came together and why two opposites attract.
“I realized that removing myself from my daily life and all the other other things going on that make it so hard to focus, was really helpful. That time definitely made me see that if I had this concerted effort to which I can dedicate time to writing songs, helped really sort out a lot of things that I was thinking and feeling instead it feeling like it’s all a jumbled mess …” – Rosali
With Knights of Swing just released via Vimeo it was the perfect time to sit down with actor, co-director and musical arranger, Emilio Palame to learn more about this fantastic film and equally exciting soundtrack, his own career and what the film has to say to a modern audience.
Tim Hinely, founder of ‘Dagger’ zine and author of ‘Where The Wild Gigs Were,’ shares his five favorite venues.
With a new album from Charlton Lane dropping very soon, it seemed the right time to sit down with the man at the musical helm and find out all-out this project, the Mendip Soul Stew and all the other wonderful things that he has got up to over the years.
Jackson Phillips, the mastermind behind acclaimed dream pop act Day Wave, discusses the band’s latest single, upcoming album, and his career overall
Christopher Hall of Stabbing Westward discusses Chasing Ghosts, the band’s first album in 21 years, as well as their career overall
Founded by drummer Greg Saunier in 1994, the San Francisco heroes will support their latest record, 2021’s Actually, You Can. We talked with Saunier about what the band has in store for their Treefort set, his joke-telling skills.
The most reliably solid performance of the festival’s penultimate day will come courtesy of Eugene, Oregon’s doom-dealers. We recently caught up with bassist Aaron Rieseberg for a preview of his band’s Treefort set.
Racking up honors and accolades in the UK with their explosive brand of guitar-driven rock, The Mysterines now has its sights set on the U.S. Singer Lia Metcalfe and drummer Paul Crilly discuss making the debut album, Reeling, influences, festival lineups and “pinch me” moments.
While generally shrouded in mystery, one member of the rock/electronic music trio — who goes by the name The Keeper — recently touched base with the Big Takeover ahead of Magic Sword’s much-anticipated show on Friday night.
Self-proclaimed “psych-punk psychic warrior” and “ear-worm farmer” John Dwyer shared his enthusiasm about returning to Treefort, taking the Main Stage torch from GbV and playing on a lineup as sprawling as his own catalog.
Calvin Halliday and James Hindle of U.S. Highball share their five favorite Glasgow albums.
Treefort Music Fest is undergoing a rite of passage with two GbV concerts: a Wednesday evening performance at El Korah Shrine that is booked for a two-and-a-half-hours, and a Main Stage dinnertime show slated for the following day.
Whereas Deafheaven were somewhat incongruent with Treefort in 2017 — playing a thunderous, full-metal set — this time around, they’re supporting a new post-rock album (Infinite Granite) that couldn’t be better suited for the festival.
Wolf Alice frontwoman Ellie Rowsell discusses the band’s current North American tour, their distinctive sound, and why their fans are so fervent
Quinquis (f/k/a Tiny Feet) discusses Seim, the album inspired by her home on the isolated island of Ushant
Nerf Herder guitarist Linus of Hollywood shares his five favorite classic metal albums.
With the new album Southern Intentions and lead single “So Much Runnin’” about to drop, I sat down with Becca Herrod and Joel Parks of Wood Willow to find out how the band came to be, what the new album offers and where it all goes next.
Constant change has been the norm for Oh Hiroshima since their formation in 2017. Paired down to a duo in early 2021, brothers Jakob Hemström and Oskar Nilsson have challenged the post-rock stereotypes on their fourth album, Myriad and delivered a stunning cinematic masterpiece.
In his first interview in more than two years, Peter Hook candidly discusses his career with Joy Division, New Order, and Peter Hook & the Light
American film director, producer, film editor, author and musician Drew Stone shares his five favorite documentary films.
When Ben Bridwell says he never meant to be a musician, that it just happened, he sells it with conviction. Thankfully, things worked out the way they did as Band of Horses’ sixth album, Things Are Great, is as honest and unflinching as the band has ever been. Learn about the making of the album, life in South Carolina, and why Band of Horses tries to never phone in a live performance.
As he releases Artifacts, a compilation double album of early releases, Beirut mastermind Zach Condon discusses how he’s always taken an esoteric and world-minded musical path
Known for their technical and complex death metal, Blood Incantation’s new, all-instrumental, ambient release, Timewave Zero, is a palate cleanser that owes a lot to ’60s and ’70s influences, according to singer/guitarist Paul Riedl.
Lo Moon is back with a new album, A Modern Life, on a new label, Thirty Tigers. We catch up with Matt Lowell who talks about influences, being in it for the long haul, and making low-budget videos,
Brothers Parker James and Caden Shea weren’t even a twinkle in their parents eyes during the ’90s grunge era, but hearing the music around the house while growing up was directly responsible for their band’s nostalgic sound.
A purveyor of post-punk, electronic rock, trip-hop, industrial and new-wave rock, Jenn Vix is an artist who throws herself whole-heartedly in to her music, whilst creating an atmospheric backdrop of brooding emotion.
Singer/songwriter Marissa Nadler shares her five favorite cover songs of all time.
Perhaps a surprise artist on a label known for its Americana and Roots Rock roster, Boulevards brings a lifetime of funk and cinematic soul to his New West Records debut, Electric Cowboy: Born in Carolina Mud and the results are as vibrant and colorful as the album cover.
The latest album from Eric Terino is a gorgeous blend of understatement and ornate and drifting sounds and loaded with all manner of messages, both personal and wide-ranging. I sat down with him to talk about the musical journey so far, making albums in lockdown and where it all goes next.
With his sights on composing for TV and film, Ryan Key’s newest EP, Everything Except Desire, is a warm and complex calling card showcasing the songwriter’s ability to set a cinematic tone through the ebbs and flows of his electronic-based music.
Aaron Carnes, author of ‘In Defense of Ska,’ shares his five favorite ’90s ska songs.
“I believe that all these atmospheric genres like shoegaze and post-rock are like classical music in the world of rock music. When we are listening to it the music brings us some philosophical mood and we are more open to see the beauty of nature and think of some things that are somewhere above our daily life.” – Yana Guselnikova
“I am inspired by Wes Anderson’s films and modern architecture. I like simple forms and bright color combinations.” Daniil Levshin on Blankenberge’s cover art
With the gorgeous “Autumn Hymn” video soon to be released and a new album, A Song For Every Sadness following no far behind, I sat down with Ash & Eric to ask them about their musical journey to date, their songwriting process, musical evolution and what the future holds for them.
Isaac Flynn’s talent of writing memorable hooks is on full display on Hembree’s new album, It’s a Dream! Flynn shares how he’s spent the last two years honing his craft not only in his new band but when collaborating with other songwriters.