Fourteen years after their last studio album, Nashville’s JASON & THE SCORCHERS makes an unexpected return.
All of a sudden, the crowd stood, clapped, cheered and a good time was had by all.
RB strains catchy melodies and mellifluous grooves through a mildly acidic strainer, giving the entire album a warm, psychedelic glow.

The Beating of the Wings is a rare breed of record, building a sonic bricolage from moody glam cabaret and early 80’s coldwave with an injection of Nine Inch Nails ire.

Can old school thrash metal bands still bring it? As long as they mix it up and keep you on your toes they can.
There are a lot of retro-minded guitar bands who plunder the pre-punk 70s for nuggets of gold, but few quite as deft and inspired as the BROUGHT LOW are on Third Record.
With its perfect balance of keen craft and open heart, I’m OK, You’re OK reaffirms Falkner’s talent and vision.
Innovation in rock & roll is well and good, and mostly welcome. But sometimes you just wanna get back to three chords, big hooks and caffeinated energy, ya know?
Newcombe has made the same shift as 80s acidheads like PRIMAL SCREAM and the SHAMEN by diving headfirst into dance music and electronica.
Despite treading well-worn ground, the Draggers make it sound fresh, rather than hackneyed.
This digital EP arrives just as THE SOUNDTRACK OF OUR LIVES hits American shores for a rare tour.
The Plimsouls rip through a set of turbocharged power pop, stripped-down R&B and blazing rock & roll with the skill of veterans and the enthusiasm of teenagers.
My series on Middle Eastern black metal continues with a look at Cyprus.
Bloody Hell Fire is a work of pure spirit, unpolished talent and raw heart.
Australian underground rock legend DOM MARIANI teams up with British punk & roll journeyman NICK SHEPPARD to form the DOMNICKS.