In The Blur (remix) is an expansive, emotionally resonant reworking of Waves Crashing’s eight-track collection.

Featuring 15 songs, all clocking in at three minutes or less, Ain’t No Fool is lean, strange, funny, bruised, and unexpectedly tender.

Dubbed “The Hottest Rising Music” by People Magazine and praised by Parade, The Bergamot continue to inspire audiences worldwide with their signature blend of heart, hope, and harmony.

Characterised by Kirsty’s rich voice and multi-layered vocal style weaving between John’s echo drenched guitars, their debut earned critical acclaim for their ability to blend introspective, soulful melodies with expansive, atmospheric soundscapes.

At its strongest moments, ’Static Charge’ suggests that noise can still function as revelation rather than mere aesthetic decoration. The distortion, repetition, and overwhelming volume are not barriers separating listener from emotion; they are the emotional content itself.

Emerging from the quiet confines of South Amherst, Ohio, this offering serves as an exceptionally honest exploration of mid-Western melancholy and adulthood survival.

‘Biotic’ is memorable because it deliberately avoids comfortable answers, showcasing a trio that treats the avant-garde not as an academic exercise, but as a living, breathing organism.

‘Where’s One?’ retains the band’s inherent sense of whimsy and human vulnerability. It stands as a testament to lifelong creative partnerships, proving that the search for the elusive musical center remains just as vital for Strawberry Alarm Clock today as it did at the dawn of their career.

‘No Fun At All’ stands as a remarkably mature, dynamic introduction, signaling Mesh as an essential voice in modern independent guitar music.

‘Captain Easy’s Downfall’ is a triumph of independent musicianship, a dense, wildly imaginative document that solidifies The Cowboys as true modern originals.

By valuing spontaneous human connection over sterile technical perfection, this ensemble has produced a debut of remarkable maturity, offering a vision of modern creative music that remains thoroughly accessible while steadfastly refusing to compromise its exploratory spirit.

By treating playfulness as a legitimate weapon against social control, Odor Eater has crafted a record that is both deeply entertaining and conceptually rigorous. ‘But For Who?’ succeeds because it refuses to sink into despair, choosing instead to dance atop the ruins of the contemporary spectacle.

Across ‘Talking To The Dog’, the ensemble of musicians form a collaborative ecosystem rather than a backing cast. Their contributions shape a record that thrives on responsiveness, where arrangement and performance remain inseparable from intention.

Among Legends have produced a record that demonstrates how melodic punk can remain artistically vital when driven by intelligent songwriting and authentic performance.

The big dreams of a little Baltimore label.

Self-described as “Jason Mraz meets Harry Styles with acoustic poetry,” teo tala lingers on vulnerable truths, heritage, and growing pains

Jazz seems to have been undergoing a renaissance of independent labels in the last decade, including imprints owned and operated by the musicians themselves. Saxophonist Kevin Sun is one of those players who decided he knew as well as any executive how to run a record company.On the basis of three of his latest releases, that’s definitely true.

Following the momentum of their first three 2026 releases, genre-fluid project The Songs of Butler & Cupples return with “Better Off Lost.”

Award-winning songwriter Clarity Liao continues to showcase her emotional honesty and growing artistic range with her heartfelt new single, Pouring Rain

Mazmere is the music project of Jake Sinetos, a Peak District based artist and musician from San Francisco.

James White & The Wild Fire are a UK-based Americana band blending country, bluegrass, indie rock, and folk influences, known for their energetic live shows and chart-topping independent releases.

“Neverending Night” is Rough Grind’s third studio album, which defies genre boundaries and proves that heavy rock can be anything but predictable.

Zachary is a 28-year-old artist based in Guildford, UK.

While many people know carolesdaughter from her double-platinum breakout “Violent,” this record feels like the clearest portrait of who she is today

Adrielle Bow Belle is an independent singer‑songwriter whose work blends intimacy with indictment — soft, crystalline vocals carrying sharp, poetic truths.

Though the album doesn’t capture the distinctive flair that Tolliver would bring to his music starting with Music Inc., it doesn’t matter.

Hellkern Warriors is an international Darkwave / Gothic-Alternative Rock project founded in mid-2025 by musicians from Berlin (Germany), Pietrasanta (Italy), and Ibagué (Colombia).

Alternative rock songwriter, producer and multi-instrumentalist AudioGust returns with his new album, ‘This Time Or Any Other’, with lead single ‘Something in the Water’.

Leyla Romanova is a multi-genre composer whose work spans nearly the entire musical spectrum — from symphonic grandeur to cutting-edge electronic soundscapes.

Blending Americana, folk, and roots rock, her songs are grounded in vivid storytelling, memorable melodies, and a voice that effortlessly balances intimacy with strength.

Jerkazoid is a Portland-based skate punk trio channeling the restless energy of 90s DIY scenes into something fast, loud, and politically sharp.

While the saxist continues on his merry way as usual by spontaneously composing lines that veer between skronk and sleek, his bandmates look in directions other than jazz in support.

Beat:Cancer returns with Volume 4 charity compilation featuring exclusive tracks from across the industrial underground

Noir Addiction is a new industrial rock – alternative band electrifying its way into the scene by crafting a glamorously haunting atmosphere, emitting a sense of decadence, rebellion, and obsession.

Sun Atoms’ “Narco Polo Remixes” pull the Isaac Brock collaboration into a darker, rougher shape, with heavy low end, warped vocals, and a groove that feels deliberately unstable.

Jah Wobble and Tian Qiyi recast “Strawberry Fields Forever” as something heavier, stranger, and more physically disorienting, pulling The Beatles’ dream logic through dub bass, drums, guzheng, erhu, and a thick psychedelic haze.

Soft Science’s “Spinning” rides a bright dream pop rush, with chiming guitars, restless motion, and a chorus that turns emotional repetition into something built for a hot summer night drive.

XANIMAL’s “The Awakening” moves through glowing synths, hypnotic rhythm, and Nagavalli’s voice with a low-lit, cinematic calm that feels both meditative and club-adjacent.

17-year-old singer-songwriter Meli Foster-Turner, from Reading, UK, has released her debut EP, unfinished conversations, a deeply personal six-track collection that captures the emotional complexities of relationships, identity and growing up.

London-based singer-songwriter AMBER has released her debut EP, Just a Daydream

Defying the odds once again, seventies veterans the Hollywood Stars return with their second album in a very late career comeback.

Hailing from the Philadelphia area, Flight of Mavis is a power pop band formed in 1988.

Dubbed by American Songwriter as a “supergroup,” Los Angeles-based Sons of Silver are a neo-classic rock ‘n’ roll force fueled by cinematic melodies, soaring hooks, and apocalyptic post-punk energy.

Following the release of his debut single Always On My Mind, singer-songwriter Steve Stinson returns with Does Anybody Else, a thoughtful and deeply relatable new single taken from his forthcoming debut album Cocoon

Brooklyn-based singer-songwriter and producer Atticus Kane returns with his most collaborative and expansive work to date, News From Delphi, a twelve-track collection of alternative folk-pop and reflective singer-songwriter storytelling

New York-area fans gathered for the first local appearance in 25 years of Winnipeg, Manitoba, Canada’s best rock & roll band, The Guess Who, who were on the second week of their Takin’ It Back tour, dubbed so after founding members & primary songwriters Burton Cummings and Randy Bachman were able to resolve lengthy and convoluted trademark disputes of former members using an unauthorized Guess Who name from 2006-2024 and, with a dynamic new backing band, make this reunion tour a can’t-miss for longtime listeners as well as for people who may know only a few of the hits.

Those willing to meet this album on its own terms will find a richly detailed debut that lingers long after its final notes have faded.

It’s a truly stellar debut from a band that delivers deeply compelling roots rock with patience, purpose and quiet conviction, and it contains the promise of even more amazing music in the future.

The Devil You Know is a fantastic and assured first full-length that clearly shows St. Divine have already found a distinctive voice while leaving plenty of room to grow.

Its finest moments arise not from dramatic gestures but from countless subtle interactions that reveal musicians listening as intently as they perform. That generosity of spirit gives ‘Jeans’ enduring resonance, marking it as a work of quiet originality whose confidence never depends on spectacle.

’Panamá 77’ stands as an extraordinary introduction to Daniel Villarreal as a solo artist while simultaneously celebrating the collective spirit that has defined his musical life.

As first statements go, ‘Sun Within’ is remarkably assured: a compact yet deeply resonant introduction that suggests the trio’s future work could prove every bit as thoughtful, adventurous, and quietly transformative as these opening chapters.

‘Spontaneous Music Live’ captures five exceptional musicians trusting one another completely, embracing uncertainty as an essential creative resource instead of an obstacle to overcome. It reveals a band confident enough to present its process without embellishment, discovering beauty not through perfection but through presence, curiosity and collective imagination.

‘Volume 1’ confirms that Stockwell belongs among the most compelling young voices currently emerging within contemporary folk-inspired songwriting. She writes with uncommon patience, sings with unaffected sincerity and demonstrates an impressive ability to transform ordinary experiences into thoughtful reflections on identity, love and belonging.

Many reunion albums seek validation from the past. ‘Set of All Sets’ seeks conversation with the future, constructing a monumental work whose contradictions, ambitions and emotional generosity continue resonating long after its final feedback dissipates.

Jak Lizard returns with ‘Vulnerable Forms’, an expansive new album that further cements his reputation as one of alternative music’s most compelling genre-defying voices.

Emerging from London’s thriving underground guitar scene, Form Affinity are rapidly establishing themselves as one of the capital’s most compelling new emo-punk and slowcore outfits.

Sparse arrangements that eschew a harmonic instrument draw attention to both the melody and the rhythm, keeping the tracks simple and direct.

Betty Moon’s “A Taxi Ride” is a fun alt-pop/rock track with ’90s vibes, late-night nostalgia, polished hooks, and the edge of an LA indie artist with major-label roots.

This Can’t Be Today provides a comprehensive and exceptionally enjoyable overview of the American psychedelic revival of the 1980’s.

Bay Area indie-rock project Everything But The Everything is entering a new era. What began as bassist, songwriter, and producer Izzy The Gent’s collaborative recording project has evolved into a full band,

Alongside a signature dynamic performance from her band, Lottie Gray’s third single brings out the heavier, rock-edged side of her songwriting and her most powerful and emotive vocals yet.

Writing about parenting, aging, faith and the peaks and troughs of life, Reading indie rock band The Race return with ‘D of E’,

DownTown Mystic is the alter ego of American Rocker, Robert Allen, whose passion for “old school” recording borders on obsession.

Watch Me Die Inside is the work of Aleph, an artistic universe that documents the modern human in a state of internal collapse.

Rusty Reid is an American indie-folk-pop-country-rock singer-songwriter, originally from Texas, now based in the Pacific Northwest.

Chris Murphy is a musician with a distinct talent, his ability to nurture and maintain a multitude of musical identities that includes being a singer songwriter, multi-instrumentalist, composer, arranger, and producer.

Twisted Teens have crafted a record that rewards careful attention not through complexity alone but through sincerity, imagination, and disciplined songwriting. By embracing collaboration, broadening their instrumental palette, and allowing atmosphere to become as expressive as melody, Hollywell and Santos have produced their most ambitious and emotionally resonant work to date.

Some artists create alter egos. Dull Fantastique arrives with an entire mythology. Purporting to be a mutant artist from the distant planet Raygonia, mysteriously transported to Earth after a cosmic exchange of existence, the project exists somewhere between science fiction, performance art and deeply personal songwriting.

Sonnen Blume is a UK based artist making intimate, reflective songs that sit in between folk, indie and quiet pop.

Residual Heat is a UK indie rock proiect creating emotionally honest, quitar-driver music that blends cinematic production, memorable melodies and thoughtfu songwriting.

The Silverteens, a Minneapolis-based garage/powerpop band, will release a four-song EP, “TV on Fire,” on July 10.

Omni – the sixth album from tenor saxophonist James Brandon Lewis’s award-winning Quartet – pays tribute to the power of the church in Black lives.

They reflect a deeper fascination with alternate forms of perception, with the possibility that ordinary reality contains overlooked emotional and spiritual dimensions beneath its surface. ‘Shallowtail’ invites listeners into precisely that kind of hidden interior terrain. By the EP’s conclusion, She’s Green sound less like a young band discovering its identity than one already refining a distinct artistic language.

More than three decades after its original appearance, ‘Ask Me Tomorrow’ remains an extraordinary example of artistic conviction prevailing over fashion. Its songs continue to resonate because they are built upon emotional honesty rather than stylistic trends, and because Mojave 3 understood that quiet voices can leave the deepest impressions.

‘Out of Tune’ captures a band discovering the full extent of its artistic identity. It neither rejects the intimate aesthetic established on its predecessor nor simply repeats it. Instead, Mojave 3 expands their emotional and musical language with quiet assurance, creating songs that speak through nuance rather than spectacle.

‘Excuses For Travellers’ represents a pivotal moment in Mojave 3’s evolution, capturing a band expanding its artistic language while remaining faithful to its essential character. The record embraces larger canvases, richer arrangements and deeper emotional inquiry without surrendering the modesty that has always made the group’s music so persuasive.

‘Spoon And Rafter’ captures Mojave 3 at a fascinating stage in their artistic evolution. It honors the introspective qualities that defined their earlier work while embracing broader musical possibilities with imagination and assurance

Viewed across Mojave 3’s complete catalog, ‘Puzzles Like You’ stands not as an unexpected detour but as the logical culmination of years spent expanding their artistic language. The introspective folk of their beginnings gradually embraced broader melodic horizons until arriving at an album overflowing with warmth and understated optimism.

At only six tracks, ‘My Dreams Are Changing’ demonstrates remarkable artistic economy. Every composition contributes something distinctive while reinforcing a unified aesthetic vision. Velveteen have not simply returned from hiatus with another collection of songs; they have refined their identity into something more expansive, emotionally nuanced and sonically adventurous.

Despite overlapping tracks, both albums are essential, two sides of an ambient rock coin.

The Snow Ponies is the first NZ-based musical project by Phil Dean, an experienced songwriter with 12 albums and 500+ shows under his belt from previous bands in London & Melbourne, including The Debutantes, The Gathering Tide and Zeptepi.

Rorksha builds sonic landscapes blending electronic, rock and folk, where calm and fury merge in a music where instrumental pieces and French lyrics intertwine.

Viarosa frontman Richard Neuberg returns in 2026 with ‘The Vine’, a stormy yet delicate solo album.

Though he’d been active for a good decade-plus with Gary Burton, Woody Herman, and others, Mick Goodrick didn’t put out his first album as a leader until 1979.

Roots & Byways gives a fresh shine to an American art form.

DC-based duo Wytold & Tolk announce the release of their debut album, Voltage, featuring the emotive and vibrant lead single, “Or Will You.”

Country singer-songwriter Rebekah Snyder is bringing the heart of small-town America to country radio with her new single, “Small Town,”

Cable Street Riot’s new single, Everything We Didn’t, is a song about memory, growing older, and the moments that quietly shape our lives.

By placing “Video Life” and “I Want You Around” back into circulation with intelligence and purpose, Oog Bogo demonstrates that reinterpretation can be an act of conversation rather than revision. These performances honor their origins while reminding listeners that the emotions and ideas embedded within them remain very much alive.

Wormstew has crafted a debut that celebrates individuality without becoming self-indulgent, drawing listeners into a world where unusual observations illuminate universal emotions. ‘Last Days Of Loma’ succeeds because it understands that intelligence and accessibility need never compete. Its songs are memorable, thoughtful and quietly adventurous, revealing a band whose greatest strength lies not in sounding like anyone else, but in expressing a worldview all their own.

Across twelve tracks, ‘Las Babirusas’ constructs a world where strange animals, invisible houses, mathematical puzzles, shadows, machines, and imagined landscapes coexist comfortably. It is a record fueled by curiosity and animated by the belief that even the most unconventional ideas can reveal something meaningful about human experience.

Rather than marking a nostalgic return, ‘The Pendulum Swings’ represents an artistic evolution shaped by experience, patience and renewed creative purpose. Deardarkhead demonstrates that instrumental music can communicate profound emotional complexity without explanatory lyrics, trusting melody and atmosphere to speak directly to the imagination.

Many bands can write memorable melodies. Others possess technical excellence or lyrical insight. Few combine all of those qualities with the consistency and generosity of spirit found here. ‘Lost At Sea’ confirms that The Legal Matters have evolved beyond comparisons and genre shorthand into a group whose artistic identity is entirely their own.

Country music has always wrestled with the complicated relationship between image and sincerity. Ramey understands that contradiction better than most, using familiar outlaw iconography not as costume but as metaphor. She reshapes those traditions into something fiercely contemporary without abandoning their storytelling foundations.

The vibe on both sides is light-hearted, casual, and FUN with a capital ‘F,’ as expected with world-class musicians playing some of their favorite songs.

The Muster Point Project is the creation of Kevin Franco, a multi-instrumentalist singer/songwriter who splits his time between Calgary, Canada and Santiago, Chile.

A true artist and songwriter world-renowned for his prolific, heartfelt alt-rock love songs, Stephen is one of America’s greatest storytellers and Renaissance men

Jonny Couch’s “Where The Sidewalk Ends” has the scrappy pull of a song built for repeat plays, with sharp verse guitars, bright synth lift, and a chorus that turns noir tension into pure release.

Ecce Shnak’s “Eddie, Legalistic Homeslice” keeps its colour and bounce while the vocals turn the song into something stranger, sharper, and more exposed.

Trumpeter and composer Ralph Alessi cuts a distinctive figure in contemporary jazz, with a remarkable ability to use the same tools as most – acoustic instrumentation, quartet and quintet formations, bop vocabulary – and still come up with something that sounds like no one else.

‘WORTH IT,’ the highly anticipated new release from indie-pop-rock artist Kim McClay, out now.

By Million Wires returns with ‘Not Over’, a sophisticated 5-track EP that bridges the gap between atmospheric indie rock and melodic alternative.

Wilco bring their personalized festival to the bucolic environs of Western Mass once again, and the opening Mermaid Avenue set with Billy Bragg on hand will be hard to top.

Vancouver-based trio The Zaxons will release their new album Videopticons on June 4, a record built on discipline, repetition, and sharply defined structure.

Patricia Wolf demonstrates that attentive listening can become a form of ecological understanding, revealing profound beauty within processes that typically remain unnoticed. The record offers neither escapism nor environmental sermonizing. Instead, it cultivates awareness through patience, subtlety, and extraordinary compositional discipline.

For a debut album, it demonstrates remarkable confidence and clarity of vision, introducing Lackey as a band capable of finding extraordinary meaning within the wonderfully strange details of ordinary life.

This is music that trusts silence as much as sound, reflection as much as movement and intimacy as much as ambition. Melanie Radford has created a deeply personal statement that extends a quiet invitation rather than demanding attention.

‘It’s All Good, Sugar…’ is not simply a successful comeback. It is persuasive evidence that genuine songwriting never expires. Time has broadened the band’s perspective, enriched their performances and deepened their emotional vocabulary without diminishing the infectious melodic brilliance that first earned their devoted following.

Some music falls easily into generic pigeon-holes, although thankfully, that is a fashion that is dying out.

Each player speaks his peace, welcomes the response, and reacts accordingly.

Part Robyn part Bolan with a hint of Madonna, driving funk guitars on a heavy disco beat lay the foundation for this song about being other.

Taivi is an acclaimed Canadian folk-roots and Americana singer-songwriter based in Toronto.

Theme Songs is the new collaborative EP from France-born, Oxford-based singer-songwriter Camille Baziadoly and The Filthy Honey.

Moon and Aries is a transatlantic music duo connecting Canada and Germany through a sound they describe as Electronic Cinematic Soul.

Jim Blair is an independent musician, vocalist, and guitarist from Swindon, UK, best known as the frontman for the blues-rock band JB and The Mojo Makers.

Last Letters returns with All For Nothing: Unreleased, Alternates, and Rarities 2016–2026, a 24-track collection of previously unheard songs, demos, alternate versions, and lost recordings written over the last decade.

St. Divine is a NYC based band fronted by Will Croxton and Judy Ann Nock.

Benjamin Cartel is no stranger to making music that quickly connects with its listeners. That’s something he’s always excelled at, first with the substantial attention and acclaim accorded his duo Kaiser Cartel, and then, with a return to his solo career.

Nowherehouse is the third collaboration and a continuation of the asthetic developed by Jason Smith and Kevin Boggs since 2023’s well received self titled album.

What elevates ‘Devil’s Bowl’ beyond a compelling post-punk release is its intellectual ambition. Many records address contemporary anxiety; fewer succeed in examining the mechanisms that generate it. Unlettered approaches modern life not simply as a source of despair but as a bewildering spectacle in which image, commerce, politics, and identity have become inseparable.

Critically acclaimed New York garage rock band St. Divine is setting their micro genre, punk Americana, on its decapitated head like Orpheus flowing downriver.

New Jersey progressive rock collective Forgotten Roads have released Scenes From A Revolution, a sweeping 16-track concept album

Brooklyn-based indie singer-songwriter duo Ruby & Sasha are carving out a space uniquely their own with the release of their debut single, Outdoor Shower.

London-based alternative-pop duo Ooberfuse have built a reputation for creating cinematic, socially conscious music that bridges cultures and tells deeply human stories.

‘Tough Touch’ is a sophisticated and deeply affecting work, one that balances introspection with musical ambition while remaining grounded in genuine human experience.

Far more than a sophomore statement, ‘Horse To Water’ represents a meaningful artistic leap. It captures a band expanding its creative horizons without abandoning its identity, delivering a record that is emotionally rich, musically adventurous, and consistently engaging from beginning to end.

By expanding their musical vocabulary to include shades of college rock, new wave, and melancholy guitar pop alongside their established post-punk foundation, Toilet Rats have produced their most ambitious and emotionally resonant work to date. ‘Black Cats’ succeeds not because it abandons the band’s established strengths, but because it deepens them.

Like many African musicians, Mahkathini feels that music is more than just entertainment, or even art – it’s a spiritual calling, a responsibility as much as a gift.

Kaatwalk, a Twin Cities based singer-songwriter, infuses her music with a blend of heartfelt lyrics and a stripped-down, authentic sound.

Everything is the new album from Oxford based band MARYSGARDEN

There’s some significance to the release of Winter Songs – it’s the first album featuring Steve Swallow as a leader since 2013, and the first one since the passing of Carla Bley, his multi-decade partner in life and music.

NUTRI3NT and Daniella Goldfine return with a new full length vocal track, Mercedes Laments. The last track, Losing You, was featured on BBC Introducing and was popular on a number of Radio stations.

Ammar Farooki is a Pakistani-American singer songwriter based in Brooklyn, NY. Born in Lahore and raised across Pakistan, he first emerged through the country’s independent music scene before relocating to New York City in 2019.

Hailing from deep in the Dartmoor hills and the bohemian town of Totnes, the band are committed to the highest musical and artistic integrity, drawing on influences that range from alt-folk and electronica to hard rock and metal

Spoon kick off their summer tour dates with some teasers off the newly recorded album.

The Prize have spent years earning a reputation as one of Australia’s most exciting live bands. ‘In The Red’ proves that their appeal extends far beyond the stage. This is not merely a collection of strong songs assembled over several years; it is a statement of purpose from a band operating at full capacity.

‘J.C. Thomaz and the Missing Slippers’ is a celebration of rock and roll’s ability to remain dangerous, absurd, seductive, and transformative. It invites listeners into a world populated by doomed romantics, nocturnal wanderers, supernatural figures, and lovable misfits, then refuses to apologize for any of it.

At its core, ‘Sol.Hz’ is an album about transformation. Sounds become shadows of themselves. Structures dissolve into atmosphere. Human voices merge with machinery without losing their emotional essence. Through the combined artistry of Mark Clifford and Sarah Peacock, Seefeel have created a work that explores the porous boundary between solidity and dissolution, presence and absence, memory and sensation.

What is remarkable about ‘Profound’ is its ability to hold complexity without diminishing accessibility. Garbus writes songs that are intellectually rich yet emotionally immediate, grounded in lived experience but never confined by it. Her exploration of happiness, bodily change, collaboration, and artistic evolution is handled with a sensitivity that avoids simplification while still inviting connection.

‘Mountain States’ stands as a significant contribution to contemporary instrumental music, not because it reinvents the banjo in spectacular fashion, but because it reveals how much has always been present within it. Through careful composition, thoughtful collaboration, and an acute sensitivity to resonance and space, Johnny Bell transforms a familiar instrument into a site of exploration, where memory, geography, and sound converge into a single evolving continuum.

Veteran songwriter and guitarist Darryl Scotti returns with a striking reimagining of “State Of Mind,” the latest release from Darryl Scotti and Big Yard.

Icelandic composer and cellist Eythor Arnalds continues to blur the boundaries between contemporary classical composition, cinematic ambience, and mindful listening on his expansive new ten-track album

British singer-songwriter and guitarist Tom Moriarty, hailed as “a performer of rare talent” by the Press Association and praised by the renowned Q Magazine for his “thoughtful roots rock,” has released his highly anticipated fifth studio album, ‘Chapters’,

Maneri is usually associated with free jazz and the avant garde, and while Mist won’t disabuse anyone of that notion, it’s not the full story, either.

Based in London, England, Frank Joshua is a captivating singer-songwriter known for his enigmatic melodies and heavenly wordplay.

The Royal Standard is the sophomore album from London odd pop band The Phone Call, now out via premier cult London label Blang Records