The most notable Le Bon in music since Simon. His last name was pure fashion; Cate might not consider herself The Good, but she certainly comes across as musically devout.
After whetting my appetite with the strong Great Britain 7“EP, The London Diehards have delivered a full-length that displays their brute strength in all its boot-kicking glory.
Somewhere in the middle of Thin Lizzy and Iron Maiden, if you will.
A collection of on-the-road demos for The Lemonheads’ underrated Come On Feel The Lemonheads highlights the magic that is Evan Dando.
The album is supposed to evoke the feeling of the end of a relationship. And since it is not as fun as the start led me to believe, I guess that makes sense.
Hermes’ lengthy and detailed tome reads a bit like the proto-punk diary From the Velvets to the Voidoids except that it covers virtually all of New York City’s then burgeoning musical styles between 1973 and 1977.
All good things must come to an end, and Rabid In The Kennel is no exception. And so it is with sadness and pride that we present our final episode today, Wednesday, December 14, 2011. As a special treat to our loyal listeners, we present the very best, most memorable performances from our two-and-a-half years of monthly shows on BreakThruRadio.com!