Beme’s rap goes beyond the mere food/shit dichotomy. Beme’s “shit talk” is also music; the body is not a bank, but the music is rooted in the breath, the free improvisatory flow of words that are also tethered to the formalism of rhyme. Talk is ex-lax; rap betters the talking cure. It, too, is a work out that can make you less hungry. As a mural from the Oakland-based Community Rejuvenation Project suggests: there’d be less eating disorders and drug addictions if people were allowed to talk more, if word-jazz and singing were more acceptable. In this sense, Richard Berman is wrong: it’s harder to solve the obesity crisis by keeping your mouth closed. The extra energy you get from dieting has to go somewhere.
On the heels of a reissue of their sole album and a farewell series of shows, we talk with Norman Brannon, guitarist for the highly regarded band Texas Is The Reason, about their past and their present.
“I really think Mudhoney’s overall integrity will draw people to this documentary. Even when they were on Reprise their music was still high quality,” said Pease.
“I’ve been fortunate enough to realize early on, that I play for myself. I play because I love playing. I don’t seek admiration or acceptance. I enjoy myself at rehearsal as much as any show. Playing is sacred to me. I can take a lot but if anything messes with my chance to play, I lose it. Any hostility I still harbor stems from those who’ve messed with that,” said Becvare.
“We took Hip Hop above and beyond the moment we got passports. I can’t stand major media companies and radio stations that show the black community has less power than it truly does.”
Big Takeover is delighted to present an exclusive stream of Dundrearies, the new album by songer/songwriter Graham MacRae, which was released today on A Man A Plan A Canal.
Big Takeover is proud to debut the first single from Seattle-based The Moondoggies‘ third album, Adios I’m A Ghost.