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“Hearing early rock n’ roll made me wanna bash stuff and make a racket! When I was 4 years old they discovered me in the kitchen with all the pots and pans upside down on the floor. I was bashing on them with a spoon along to the music coming out of the radio. When I was 11 I got a guitar, picked it up and wrote a song on it, on one string! I’m still cranking on that string and bashing stuff.”
“When you’re not feeling good about yourself, a number one record doesn’t matter.”
It’s a common belief that bad things come in threes. For Chris Forsyth & The Solar Motel Band, that theory just doesn’t hold up. Former Brooklynite and current Philly resident Chris Forsyth and his band (featuring Peter Kerlin, Paul Sukeena from Philly deep thudders Spacin’ and Steve Urgo, formerly of The War on Drugs) are countering this aged idea successfully at every turn, beginning with the release of Solar Motel on October 29th, 2013 .
“Shopping Howl’s record around to the old guard made me realize that the kids are the new guard, here and now. I’m not going to abandon them because they straight up made my career. I don’t want to alienate people, I want to learn and grow with them. If I can challenge the kids with this band then I’m all the better for it,” he said.
“When Rasputina started we didn’t have anyone to emulate. My naiveté turned out to be a real blessing because it seemed obvious to use cello instead of guitar. I wasn’t going to get a guitarist or learn just so I could have a band,” laughed Creager.
2014 shows no signs of Fair slowing down his collaborations or Half Japanese.
“Hardcore indirectly gave my natural big mouth a megaphone. It nurtured the activism within my heart and made me appreciate the idea of unity and community,” shared Kevin.
“I get really down on hateful music that has no point. What good is it if all you’re doing is screaming about how angry you are if there’s no type of catharsis for you?” stated Newton.
Bandleader Perry Serpa on the NYC ensemble’s four-album series and the special challenges of running a rock orchestra.
“There’s no higher compliment than to get feedback in person. To have someone come up to you 20 years later and say something you wrote saved their life is very gratifying, especially when you look back to when you first wrote it and wondered if anyone was even listening.”