Coming off of her phenomenal debut EP, Strange Cacti, the first LP from Angel Olsen has some lofty expectations to live up to. The album, titled Half Way Home, is a far more diverse effort than the EP, which is to be expected when extending out to a full-length. If the record is any indication of the woman, Olsen is an old soul. At the very least, her songs are informed from an era long before her time. A track that has been circulation on the web a while is “The Waiting”, a reasonable request for some effort from the other half of the relationship, all the while realizing that could be the proverbial long wait for a train that never comes. Sometimes a lady needs to be wooed a bit and for the man “to be the one to call”. “Lonely Universe” is a poignant seven-plus minute cautionary tale of how one’s existence can be full of regret when they don’t make the first step toward going after what/who they want, to not just dream but visualize and achieve.
Another familiar track, “Always Half Strange”, keeps its original simple but effective approach with Olsen’s trademark yodel in full throat. “You Are Song” keeps things stripped down and lovely. “Miranda Rights Revisited” is a country parable with storytelling reminiscent of Johnny Cash, a tale of love versus duty and Olsen’s voice lends the conflict its proper gravitas. As a counter-point to the rest of her work thus far, “Free” is the album’s most soaring and wonderful declaration of, and belief in, love. Olsen’s strength has generally been keeping things uncomplicated in arrangement, creating the necessary intimacy needed for the listener to focus on every somber syllable. But with “Free” and its sixties pop arrangement, she actually heightens the emotional tether and reaches a goosebump-inducing fever pitch. To put a final eclectic stamp on the album, Half Way Home closes with an R&B ballad, “Tiniest Seed”, complete with Cropper-esque guitars. With this debut album, Angel Olsen cements a reputation as a skilled and soulful siren with heartstring-tugging songs.