Though there are light r’n‘b touches on a few of these songs, this is ultimately a singer-songwriter album and a great one at that.
Clearly this is an album made by 40 somethings instead of 20 somethings.
Though others may disagree, I think that this album is a mix of good and not so good.
Hermes’ lengthy and detailed tome reads a bit like the proto-punk diary From the Velvets to the Voidoids except that it covers virtually all of New York City’s then burgeoning musical styles between 1973 and 1977.
This is exactly what it says it is.
This album belongs in the same conversation as other classics of the genre and time period like Love’s Forever Changes and The Zombies’ Odessey and Oracle.
This collection is like manna from heaven for fans of this amazing, chaotic, passionate post-hardcore band.
An embarrassment of riches, this limited-edition collection plays not only a great outtakes album, but like one of their best albums period.
Honestly, it was my first time seeing them and I thought they were great from the first few notes.
Instead of a “normal” show with a headliner and an opener, this was something altogether quite different.
Bells were the surprise of the night and honestly stole the show for me.
Thankfully, this performance more than justified the $30 ticket price.
A concise description of the third track, the cleverly titled “Cyst and Decease”, would be “Captain Beefheart in Space”.
An idea that started a few years ago has led to a 7” on Matador.
This Lp pulls no punches and sounds as good in 2011 as I imagine that it must have in 1982.
All this would be enough, but as a bonus we get the first official version of The Faith’s 1981 demo.
With all that said, what about the music on here? Well, it’s amazing.
Their set was short but sweet.
So how did Wild Flag fit into this context? Quite splendidly.
Just from a creative stand point, to put myself out there like that was the scariest thing I’ve probably ever had to do and then to play it.
Within a few seconds of their set, I had beer spilled on me.
When I started listening to this album, I couldn’t stop playing it. Weeks later, I STILL can’t stop playing it. It’s that good.
ALL, on the other hand, were amazing.
Of the many times I’ve seen Ted Leo and the Pharmacists, I’d never had the chance to see them in such a great-sounding and intimate room.
This more stripped-down iteration fit in perfectly with the gentle, quiet vibe of this seated show
In fact, one could argue that he just keeps getting better and better.
This is really the recording debut of a new incarnation of the band.
Improved songwriting, musicianship and stage presence contributed to what was by far the best Vivian Girls live set I’ve ever seen.
Thurston’s set in the beautiful but very poorly ventilated church sanctuary drew heavily upon his recently released solo Lp Demolished Thoughts.
Singer Steve Polcari acted as if almost a quarter of a century hadn’t passed, jumping around all over the stage and showing off the energy of a frontman half of his age.
Still, this had the feel of a band playing to a bunch of friends and family and that’s basically what it was. It was an afternoon show to boot, so that made it even more family-friendly.
Opening with Bad Moon Rising‘s “Brave Men Run (in My Family)”, the first five tracks were a flurry of ’80s highlights.
There’s an old saying. It’s a cliché, but a true one. Where there’s a will, there’s a way. If you think about it in a different way, in the early ‘80s for a hardcore band and especially for a straight-edge band facing additional pressure in terms of not conforming to society’s standards on that level, it was unbelievable in terms of the odds.
At the end of his set, opening band The Gerunds came on stage and they proceeded to crank out two highlights of Reynolds’ tenure with ALL.
Wild Nothing played to a sold-out and jam-packed room at Johnny Brenda’s
Mainly, much of the book deals with Mould’s struggles to come to grips with who he really is.
This is surf-punk mixed with some psych and even new wave influences.
In other words, the new songs fit in so perfectly with the old stuff that The Smithereens should be commended.
For starters, this was the fourth time I’d seen them at the First Unitarian Church since early 2007.
All in all, there seemed to be a lot of love between artists on this evening as OFF! were specifically selected to open the tour by Dinosaur Jr and the mutual admiration and respect is always comforting to see.
The track list pulls more from Joe Jackson‘s past as opposed to Rain (the only album recorded with this lineup).
So what, might you ask, differentiated this year’s visit to World Cafe Live from their two previous Philadelphia appearances since their 2008 reunion?
Everything you’ve heard about this book, and for that matter, about Jack Grisham himself in his younger years, is absolutely true.
Frontman Jack Grisham had a maniacal, almost demonic grin on his face the whole time and was clearly enjoying himself on this evening.
Simply put, there’s no other band like them in the entire universe.
This is definitely recommended for fans of the softer, more adult-oriented and mature side of power-pop.
One song is called “Naked Reagan”. If you get the reference, you’ll love this.
Costello and his band took the stage and blazed through four songs, opening with “I Hope You’re Happy Now”.
Featuring just Eleanor on lead vocals and Matt on piano and backing (and occasional lead) vocals, this was Fiery Furnaces stripped down to the core.
He also tackled Hüsker Dü‘s “Could You Be the One”? and Lungfish’s “To Whom You Were Born”.
The performances of “Graffiti,” “No Pain No Gain” and “Late Night” completely obliterated their recorded versions.
The encore consisted mostly of guitarist Tom Watson singing a set of Minutemen classics.
On the surface, the pairing of veteran singer/songwriters Jill Sobule and John Doe seems, well, odd. In reality, though, nothing could be further from the truth.
Much more dynamic, energetic and confident as a live band now than in their earlier days, Pains are now a bona-fide headlining act.
The show hit its peak with “The Disillusionist” featuring Kilbey’s off-mic vocals at the end of the song.
She wowed the packed house with a set comprised mostly of epic showstoppers like “A Crime” and “Don’t Do It”.
This was a unique night featuring children with a median age of 12 or 13 singing classic punk songs.
This show was somewhat of a disappointment, though it was far from bad.
If there was any thought that the years since then would diminish their performance one iota, those thoughts were squashed by the crushing opener “Teenager in a Box”.
I think it’s safe to say that everyone in the small room was sufficiently blown away or at the very least impressed.
The show just never seemed to get off the ground.
To be blunt, they came out of the gate and just completely dominated.
Still, it’s a miracle to even see him perform at all and the show was competent and fun.
This stuff is raw, in-your-face hardcore punk that also doesn’t skimp on the melody and catchiness to go along with its youthful energy.
Had the album been released in this form, I would argue that it would had just as much of an impact upon the scene.
Openers Wild Nothing completely stole the show, though a much smaller (and very young) audience was on hand to view their set.
I just hope that it doesn’t take them another five years to come back here!
This is, amazingly, the first released music by former Jawbreaker and Jets to Brazil vocalist/singer/guitarist/songwriter Blake Schwarzenbach since 2002.
I was pleasantly surprised when they played “Losing My Edge” as I know they don’t typically perform it live and haven’t for years.
To say that Superchunk is a great live band may be the understatement of this young century.
I was left satisfied, though of course wondering what it would’ve been like to have seen them in the ’90s and in a smaller place.
Everyone left happy, satisfied and slightly (or not so slightly!) drunk!
With no opener and wasting not a second, they opened with “Raw Power”, which led right into “Search and Destroy”.
I have to confess that though I love NEGATIVE APPROACH, I’m disappointed with the release.
This was as close to the real thing as we’re ever likely to get given the relations between DEAN WAREHAM and his GALAXIE 500 bandmates.
Even more exciting, he announced the possibility of writing new songs with the new lineup.
Still, for as tired as the past few days had made me, it was worth it to witness this once-in-a-lifetime event.
After a rousing introduction by JACK RABID, THE AVENGERS ripped into “We Are the One“and just dominated from that point forward.
Though the prospect of PETER MURPHY fronting NINE INCH NAILS is interesting on its own, what’s even more interesting is the song selection.
Although I’ve seen many frontmen do this sort of stuff, this didn’t feel forced. He seemed to be genuinely possessed at times.
Thus, when I heard that they would be playing one of the best-sounding venues I’ve ever been to, World Cafe Live, I was stoked.
This is a complete bonanza for STOOGES fans.
Simply put, this show was an absolute blast!
The encores, consisting of singles released in 1977 and 1978, just killed. These included “Promises,” “Love You More,” “What Do I Get” and “Orgasm Addict”, the amazing set closer.
Watching THE JOY FORMIDABLE perform was like being in the eye of a hurricane. In other words, they live up to the hype and then some.
But on this night, it was the encore that really thrilled.
John and Exene were both in fine form, joking with the audience liberally and telling stories about each song beforehand.
To say that this was an epic Feelies show would definitely be an understatement.
All of a sudden, the crowd stood, clapped, cheered and a good time was had by all.
“Lucky Day” belongs in the same canon as the very best of HANK WILLIAMS or MERLE HAGGARD.
For the uninitiated, NEGATIVE APPROACH were possibly the greatest hardcore band ever.
As much as I enjoyed JAY REATARD’s set on this evening, SCREAMING FEMALES were so good that they may have stolen the show.
We were also treated to a cover of “The Godfather”, a song by singer PETER CORTNER’s late ’80s band DAG NASTY.
SURFER BLOOD, on the other hand, were a complete revelation.
In fact, Speed is Everything may be the Lp of JEFF PEZZATI’s life and as a huge NAKED RAYGUN fan, I don’t say that lightly.
And the coup de grace was BLACK FLAG’s “My War” with guest vocalist TIM SINGER! Wow!
The darker lyrical content may be typical for a sophomore album, but this is no sophomore slump.
MARK BURGESS live in Philadelphia on Tuesday, August 11th. Read on!
During the encore, TV SMITH proceeded to come out with Jay and his band and they proceeded to play a mini-set of four ADVERTS songs,