The mastermind behind SubtractiveLAD delivers his hinted-at solo debut album, and it’s a stunning departure from the ambient and neoclassical work of the past.
Haze-loving minimalist pop songwriter Benoit Pioulard discusses his latest project, a collaborative duo that finds him expanding and developing on his distinctive songwriting.
After a decade of silence,the once highly prolific Jim Rao breaks his silence with a dozen—yes, a dozen—new albums released over the past few weeks; this one is merely a microcosm for the Orange Cake Mix scene, and a great introduction to a long-thought-lost artist.
J. Tillmann leaves Fleet Foxes and his solo sound behind, in favor of a rollicking, straightforward style that is, simply, a delight for the listener.
James Jackson Toth reissues last year’s surprising Southern Rock genre jump, with a second disc that contains the album in demo form. Surprisingly, these rough takes only make the case of this album’s strengths.
Preteen Zenith is the new project from The Polyphonic Spree’s mastermind Tim DeLaughter; the resulting record is a prog-pop delight and his heaviest, most psychedelic record to date.
A recently unearthed live performance by string mastermind Sandy Bull highlights the late composers’ skill, as well as his humorous side.
Fan Modine’s Gordon Zacharias talks about his third album, the creative process, and the life and times of the one-man studio wizard.
Sub Pop has issued a bold, compelling experimental hip-hop album that is as unique as anything you’ll hear this year.
East Coast indiepop orchestra Cuddle Magic’s third album is their most nuanced and colorful.
Mr. Newcombe drops some knowledge. We should all heed his words.
Long-running Michigan ambient duo Windy and Carl’s latest album, We Will Always Be, is an absolutely unsurprising album of unhurried, unfettered beauty.
Dustin Wong’s latest album isn’t so much a collection of sixteen songs as much as it is an intricate, delicate sixty-minute musical experience.
Don’t let the pimped-out cover fool you; Andre Williams’ latest is a stripped-down affair that pairs down the braggadocio and highlights the man’s greatest ability: storytelling.
A half-dozen songs on this digital EP find that Zach Rogue’s “side project” Release the Sunbird is growing comfortably into a very fine band.
Australian instrumental rock trio return after several years, and though not an overwhelming return to form, it’s still a welcome return.
Hot on the heels of their comeback, the brothers Brewis release a wonderful album. Their music still sounds like XTC, but not necessarily in the way you expect…
Some artists can’t describe the complexities of love with less than 69 songs. Rosie Thomas only needs ten songs to do the same.
Shearwater’s eighth album Animal Joy is a sonic departure from their previous work, while a reissue of their third album, Winged Life, is a highlight from whence they came.
A collection of on-the-road demos for The Lemonheads’ underrated Come On Feel The Lemonheads highlights the magic that is Evan Dando.
Philadelphia-based Dr. Dog’s sixth album finds the band at their most mature-sounding, leaping far beyond their previous work.
Austin, Texas rockers The Strange Boys tone down the garage, turn up the piano, and make a wonderful little retro-pop record.
Hot on the heels of the release of their first record in eighteen years, we are pleased to sit down with Eric Matthews and Richard Davies, who discuss the band’s past, their collaborative method, and music in general.
Bristol-based band’s debut album is something out of this world. No, really.
Neverever’s new EP will come into your life for a brief moment, then fly away, leaving you heartbroken but all the richer for having experienced it.
In a spare moment post-conquering America, we speak to British-based Still Corners’ Greg Hughes about his band and their notable debut, Creatures of an Hour.
Three founding members of space-rockers Tarentel reform and release a satisfying collection of mellow, tranquil music.
This jazz-minded Mercury Rev side project’s second album finally sees a domestic release. Better late than never…
Gregory Scott Slay—the former drummer of Remy Zero—did not let Cystic Fibrosis stand in the way of his final musical statement.
The Hebden/Reid collaboration came to an end with the death of Steve Reid, but this two-disc document excellently serves its purpose as final testament.
Up-and-coming country-rocker Lydia Loveless takes a moment while resting in Music City to reflect upon the classifications and inspirations that have graced her over the past year.
Projekt mastermind takes listeners on an expanded journey into the vast unknown. Do not operate heavy machinery while under its influence.
We have a lovely little chat with The Coral‘s former lead guitarist, Bill Ryder-Jones, on the occasion of his debut album, If….
I know you’ve been burned by the initial debuts of modern-day “girl groups,” but The Bandana Splits have a few things to show you with their debut album.
The music-loving experts at Drag City have reissued the first two records by Portuguese guitarra maestro Carlos Paredes, and these two records are an interesting introduction to the late guitar innovator.
Chicago’s JC Brooks & The Uptown Sound have come out of nowhere and want to do nothing more than win you over with their exciting, respectful soul music. A friendly conversation with guitarist Billy Bungeroth finds him reflective on his album’s release day.
Comparisons to another band be damned, Albuquerque’s Coma Recovery has produced a very fine collection of heavy instrumental rock music.
Prolific Swede indie-popper Johan Angergård’s project Pallers have produced a debut of wonderfully dour 80s new wave.
The band’s name and debut album’s title may make you think that the music within is dark, folky, and somewhat wet. Guess what—it is!
Candian-based Tim Hecker concludes his year by releasing an album of stark, basic sketches of songs used as the basis for the album he released at the beginning of the year. Surprisingly essential.
We have a nice talk with Canadian dream-pop band Memoryhouse, on their growth from a bedroom band to a fully-operational group, and the reasons why they rerecorded their critically acclaimed debut EP.
Canadian-based The Darcys issue the first in a trilogy of vinyl-only releases; the novelty does not detract in any way from the quality.
Oh, OK, I understand why this Athens, Georgia band has been piling on the accolades.
The Besnard Lakes impress yet again, this time with a gorgeous, dreamy 4-song 12” single.
Enigmatic producer and musician Richard Swift offers up another confounding record.
A beguiling collection of pop music, for those darker moments of your life.
We have a quick chat with Ohio-based Pomegranates about their new, experimental EP.
Holy impressive soft-rock super-group, Batman!
Swedish electronica duo Niki and the Dove tease the listener with a seven-song EP of utterly compelling, beguiling experimental pop music.
Once a side project for The Felice Brothers’ Simon Felice, this collection compiles selections from the band’s two European releases, highlighting the band’s overall talents and strengths.
We discuss the past, the present, and the future with former Grandaddy leader, upon the release of the deluxe reissue of the band’s The Sophtware Slump.
London-based trio Hong Kong in the 60s has made a little record that is worthy of your time.
Veteran Denton, Texas-based Sundress comes on strong with a six-song EP of atmospheric psychedelic rock influenced heavily by 90s era Britpop.
New Jersey-based indie-pop band Big Troubles discusses their great leap forward and the making of their impressive new album, Romantic Comedy.
The once-prolific Swedish popster Jens Lekman returns with his first record of new material since 2007, and it’s a keeper!
In the conclusion of our chat with Mercury Rev leader Jonathan Donahue, we discuss the infamous day All Is Dream was released, the future of his band, and the philosophy that goes into being a middle-aged musician.
Rogue Wave leader Zach Schwartz talks about his latest project, the stripped-down band Release the Sunbird.
In this first installment, we have a nice chat with Mercury Rev’s lead singer, Jonathan Donahue, on the occasion of the deluxe reissue of the band’s groundbreaking album, Deserter’s Songs, and we discuss the bleak environment that produced an album of stunning beauty.
California modern psychedelic rock legends Brian Jonestown Massacre have compiled the band’s uber-rare vinyl sides, and this collection of rare gems wonderfully highlights the songwriting talent of Anton Newcombe.
What, no “I Die, You Die?” No “Crowd of Drifters” (Dr. Death version)? No “If I Were a Rich Man?”
Screaming Trees’ final recordings have been unearthed and given a proper release, highlighting the final statements of a once-fine band.
Love hurts. Love scars. Love wounds and marks any heart not tough or strong enough to take a lot of pain.
We talk with Ronnie Vannucci, drummer for the Grammy award-winning band The Killers, about his new solo project, Big Talk.
Iowa-based folk musician William Elliott Whitmore has something he wants to say to you, the working-man, as he discusses his latest album, the critically-acclaimed conceptual Field Songs.
Seattle-based indie-pop band Seapony may not have a lot to say, but that’s perfectly okay, as leader Danny Rowland discusses the motivation behind his band and their debut Go With Me.
We talk with young Michigan-based garage-rock band The Peoples Temple about their music, and the obvious comparison one may make with them.
One piece. Forty-seven minutes. The latest album by young minimalist composer Nicholas Szczepanik isn’t as monotonous as it might seem.
We have a pleasant, interesting chat with Andrew Kenny, mastermind behind The Wooden Birds, and former leader of acclaimed Texas psych band American Analog Set.
We have a chat with John Congleton, about the demise of his former band, The Paper Chase, and his new project, The Nighty Nite.
Prolific Canadian minimalist Kyle Bobby Dunn presents his latest album, a meditative work that serves as a soothing balm against restlessness and heat.
We talk to Mario Hernandez, indie-pop veteran, about his new project, Kids On A Crime Spree.
The Portland, Oregon psych-pop trio’s debut album is expanded with nine additional songs and a DVD of geeky, awkward public access appearances, all of which adds up to a charming, fun release.
We have an exciting talk with the enigmatic Man Man frontman Honus Honus as he discusses his new album, Life Fantastic, and his upcoming work with his new band, Mister Heavenly.
We talk with Spokane, Washington’s The Globes, about their debut album, Future Self, and the power of influences.
We talk with Rilo Kiley and The Elected mastermind Blake Sennett on the heels of the release of his third album, Bury Me In My Rings, a record made after a nearly three year hiatus from making music.
Portland, Oregon trio Explode Into Colors existed for a brief time, and this collection documents why their split was and is unfortunate.
We chat with Maggie Bjorklund, Danish pedal steel maestro, who discusses her attraction to the instrument—and the difficulties of learning said instrument in a remote Northern European location.
A recent Record Store Day release, this tribute to Guided by Voices is a surprisingly strong, cohesive tribute to the Dayton, Ohio wizards.
Two hauntingly beautiful compositions by the late ambient composer Dani Long, under her moniker Chubby Wolf.
We discuss the making of Chicago-based electronic-folk-pop band A Lull‘s impressive debut album Confetti with vocalist and mastermind Nigel Evan Dennis.
We talk with Dallas-based Daniel Huffman about his debut record, Bump & Assassination.
Take a little time to check out New Orleans-based Generationals, who deftly impress with their second album, Actor-Caster.
We have a brief conversation with Cincinnati-based Eat Sugar, who talk about the recording of their latest album, ¡Levántense!, their live show, and their biggest influence.
Canadian artist Stephen Hummel, better known as subtractiveLAD, talks about his latest album, Kindred, and the inspirational changes behind it.
We sit down with The Head and The Heart‘s Josiah Johnson, who talks about the band’s formation and plans for the future.
We sit down for a brief chat with Thomas Wincek and Andrew Fitzpatrick of All Tiny Creatures.
Austin-based experimental guitar duo FiRES WERE SHOT releases only their third record in nearly 15 years, but the beauty found within makes it worth the wait.
Canadian composer Tim Hecker delivers an album of quiet drones and gentle meditative moments.
While making their third record, Texas based band Eisley experienced label shakeups, divorces, and breakups, and produced an album of beauty, loss, and redemption as a result.
Legendary indie-pop songwriter Phil Wilson discusses his return after two decades, his former band, The June Brides, and his struggles with songwriting.
A mysterious vinyl-only release from a Texas electronic psych-rocking wizard that proves to be one of 2011’s more compelling releases.
Will Long, the widower of ambient artist Danielle Baquat-Long, sat down to tell us a little bit about the enigmatic Chubby Wolf.
Justin Carter, leader of Canadian atmospheric rockers The Sky Life, discusses the motivations and the creation of their second album, Roots and Wings
Ypsilanti-based musician and studio wizard Fred Thomas takes a few moments to talk about his numerous projects
Small Sins frontman Thomas D’arcy talks about his band’s third album, Pot Calls Kettle Black, working with John McEntire, and how he survived the Postal Service-induced synth-pop explosion.
Former teen pop star Robyn should have been an also-ran, a one-hit wonder from the 1990s, but her talent and abilities prevented her from such a fate, and her new album is evidence that she is one of today’s best artists.
Seattle’s The Moondoggies return with an impressive sophomore album, Tidelands. Guitarist/singer Kevin Murphy talks about the album, and their distinctive yet familiar sound.
Thirty-six years after its release, Paul McCartney & Wings masterpiece receives the deluxe edition treatment it so rightly deserved, and serves as the beginning of a reissue campaign of his 1970s solo work.
This week we look at the work of Copenhagen-based musician Keith Canisius, upon the release of his third album, This Time It’s Our High.