29 April 2007
Not just indie all the time…
Reznor continues his slow crawl toward global awareness with lyrics about addiction, religion, and authority—but the album’s sound and lyrical bent are quite new. Reznor’s personal self-destructive tendencies aren’t the focus; instead he encapsulates the world’s slow and painful demise. This is a concept album chronicling a religious dictatorship in the U.S. with ubiquitous, apocalyptic signs abounding from every facet of society. It might sound immediately trite, but the way Reznor crafts this album is anything but. Typically he draws from his inner womb and releases it out into the world, but on this LP he brings the outside world in. It’s more reminiscent of NIN of yore—with hints of “The Downward Spiral.”
With 12 albums in seven years, this band outdoes itself. What’s more this new LP is chock full of ethereal beauty and in some respects excels their last LP, “Misery is a Butterfly.”
Great performances, clever and witty dialogue and a killer plot.
One of the greatest songwriters of our time who didn’t resort to fowl language to make myriad statements.
Introspective, heavy-hitting yet lightly melodic and subtely engaging…
No selling out here. The band remains hard and heavy hitting.
A band worthy of ear time.
This album trumps their debut LP. You cannot listen to it in drips and drabs, listen in its entirety. There are many subtle and not so subtle themes in this album—including those touching on religious imagery. “Keep the Car Running” is my favorite track.
Brilliant performance by the great RYAN GOSLING and a most unique and effectual story to tell.
New age rock—with panache!
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