4 February 2007
Bombastic, over-the-top, symphonic, French (Basque?), majestic madness that I can’t tell whether it is a joke or not. Vaguely gothic at points, a la mid-period Death in June, vaguely industrial, a la Laibach, at times, squarely folkish at others, a la Stille Volk. Tony Wakeford of Sol Invictus is mentioned in the acknowledgements, so maybe that gives a hint. Either way, this is a giant earfull.
Shimmering, dazzling, post-Fahey/Basho modern classical/folk/raga guitar. Some of the best of this type that I’ve heard.
Can’t remember if I mentioned this one before, but it’s likely the best, most rhythmic album by one of the more interesting bands in today’s prog and psych world. Thanks to Andee and tUMULt for re-issuing it.
Landmark early album by one of the very finest guitarists to emerge from Brazil in the 50s or 60s.
Tasty, jazzy, stoner rock with a heightened emphasis on jamming, which is a great thing, considering the ace interplay between the guitar and saxophone.
Fantastic debut of the “full band” Hella line-up. Everything is tighter, crisper, more intricate than ever. They’ve definitely stepped their post-indie prog rock to another level.
Fine reissue, originally released in 1988, by this original band playing an arty, jazzy, ambient alternative pop with a two bass, no drum line-up and with some strikingly swooping and diving vocals from Mimi Goese.
Unofficially the sister album to Marvin Gaye’s I Want You, much of which Ware wrote and arranged. It doesn’t have Marvin’s voice, but the creamy, jazzy, silky, sultry flow is every bit IWY’s equal.
Time-stopingly, sublimely, organically, texturedly, engrossingly, immersively and speechlessly beautiful electronic music. Aquariusrecords.org’s review is stunning and poetic, in its own right.
Right up there as possibly the best disco track I’ve ever heard. Stirring, uplifting, soul-filling.
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