23 January 2010
For some inexplicable reason, I’d never listened to Rank and File before the other week, but hearing this album absolutely blew me away. Forming the band after the breakup of THE DILS, brothers CHIP KINMAN and TONY KINMAN, along with ALEJANDRO ESCOVEDO and several others, essentially created cowpunk and “alt-country” with this 1982 masterpiece. Sure, I’d heard “The Conductor Wore Black” on a Slash compilation Lp called The Slash Sessions, but that clever, almost novelty-like track that closes out side one barely prepares the listener for the incredibleness of the rest of the album. Opening with “Amanda Ruth”, a song that showcases both the Kinman’s unusual high/lo harmony (imagine JOHN DOE of X harmonizing with MICHAEL QUERCIO of THE THREE O’CLOCK/SALVATION ARMY and you’d be close) and their wicked sense of humor, too. It’s the ultimate compliment that this song was covered by THE EVERLY BROTHERS on their 1986 album Born Yesterday. “Glad I’m Not in Love” (and to a degree, the entire album) sounds like what would happen if MARSHALL CRENSHAW had been listening to BUCK OWENS instead of BUDDY HOLLY and once again showcases their sense of humor with anti-romantic lyrics. The third track, “Rank and File”, is the only track on here that explicitly recalls the left-wing politics of The Dils. As one of the ultimate post-punk anti-work anthem, it rivals THE MINUTEMEN‘s “This Ain’t No Picnic”.
As good as side one is, side two may be even better. The third song on that side, “Lucky Day”, is just one of those songs that completely stops you dead in your tracks with its absolute brilliance. It belongs in the same canon as the very best of HANK WILLIAMS or MERLE HAGGARD and it’s a wonder that it hasn’t been covered by dozens of artists. If they endeavored to write something as affecting as Williams’ “I’m So Lonesome I Could Cry”, they may have almost succeeded. Simply stunning.
The other songs on side two are great, too. “Sundown” could have come on a WALL OF VOODOO album from the same time period and “I Went Walking” describes the travails of enduring quasi-bohemian finger-pointing and fashion plates.
Simply put, this is a masterpiece. Rank and File would never reach these heights again, though some moments on 1984’s Long Gone Dead come close. It’s been long out-of-print on vinyl (though I found a copy recently), but it’s available as a single CD from the Collector’s Choice label. If you can score one, the entirety of it as well as Long Gone Dead and three bonus tracks (two live covers and a cassette-only track) are available on a CD that Rhino Handmade issued in 2002 called The Slash Years. Only 2,500 were made and they go for a lot of cash on Amazon, though.
Filed under music roots rock
Comments
It’s interesting that you don’t mention the two tracks that really made a splash on college radio: “The Conductor Wore Black” and “Amanda Ruth”. That just shows how great the album is. I actually like Long Gone Dead a bit more, but they are both fantastic.
— Mike B. 2010-01-23 16:41 #
I mentioned both of those songs in the first paragraph. I think both are great, but kind of jokey/almost novelty-like compared to (IMO at least) stronger material like “Lucky Day”, the title track and “I Went Walking” (also humorous, but with more bite and bile directed at early ’80s East Village hipsters; kinda like Negative Approach’s “Why Be Something that You’re Not”, actually).
— Matt Berlyant 2010-01-24 14:20 #
i interviewed the band a few times, once for sporadic droolings and saw them a half dozen times on the tour for this lp, including two nights at the old lone star cafe. couldn’t agree more with your assessment. they took the greatest shot at hipsters too, on “i want walking” (a memorable line about lemmings all in black) and the end of punk as a fun and creative thing to do (“i don’t go out much any more”) two of the best sets of lyrics ever written about the end of an era they’d done so much to be a part of as dils. notice also the “st. marks place” line — they especially meant it about our fair city…
— jack rabid 2010-01-25 16:42 #
Yes that line definitely stands out, Jack. Incidentally, I have a Negative Approach live show on tape somewhere and they introduced “Why Be Something that You’re Not” with a rant about the same exact thing (hipsters on St. Marks Place) and it was right around the same time period, too (‘82-‘83). I know that for you and maybe the Kinmans, NA (as an early hardcore band) may represent one of the bands that replaced the original punk era, but to me they were just an extension of it and also recognized “lemmings dressed in black” when they saw it, too.
— Matthew Berlyant 2010-01-27 09:54 #
i liked negative approach ok. the very first wave of hardcore circa 1980-1981 i found exciting, just another branch of punk and hard-edged and raw alternative music in general, in a way, complimenting it. soon, though, it obliterated it and took over like a frankenfish introduced into a healthy ecosystem with no natural predator that destroys all other life in the pond. (or the carp that currently threatens the great lakes.) the kinmans and penelope houston were among the first of the older guard going back to 77. to see it coming and voice their distaste. the whole dumbing down into juvenile attitudes and concerns was another problem that was hard to avoid.
— jack rabid 2010-01-28 12:11 #
R&F was based in Austin at the time of Sundown and recorded a terrific episode of Austin City Limits that I hope sees the light of day again in the future.
— Michael Toland 2010-01-28 12:38 #
I hope so, too, Michael!
— Matthew Berlyant 2010-01-29 17:09 #