3 April 2006
[Continued from Part III]
I got up nice and early on Friday to head over to the Vice Outdoor Stage (which was a bit of a walk from the 6th Street area) to see some day shows. Luckily I got there extra early and caught MAN MAN’s set. I’ve never seen anything quite like them: dressed all in white, they sounded like gorillas pounding on a billion drums and various other instruments. Oh, and a bit like MODEST MOUSE on drugs. At other times they reminded me of THE CORAL, which was completely unexpected. They never really stopped between songs, so it was an ongoing musical slaughter—but a good one…
Next up at the same location was MYSTERY JETS. I have to say I was a bit let down by their performance, but then again, any performance given at 1:30 in afternoon in the rainy outdoors after two previous heavy days and nights of partying deserves some praise. I do like this band a lot on record, and I know others who’ve seen them live and loved it. They’re like a crazy amalgam of sounds that somehow work together: dance, electro, pop, funk, rock, gypsy, etc. I just wasn’t feeling it at this particular show.
GUILLEMOTS (pictured above) were up next. I’ve been dying to see this band since I found out about them back in November, and they did not disappoint. They’re music is lush and uplifting – gorgeous! “Trains to Brazil” is definitely one of my favorite songs of the recent past, and it was great to hear it live.
From there I went back to my hotel to see IV THIEVES (formerly NIC ARMSTRONG AND THE THIEVES) give a radio performance. I think this is one of the greatest bands in existence. Sure, it’s a throwback to ‘60s and ‘70s rock, but they put their own signature sound/style/lyrics in the mix, and it’s unbelievably good. I strongly suggest for anybody who’s reading this to check out the band!
From there I went over to the Red Eyed Fly where BRIAN JONESTOWN MASSACRE were supposed to play. Unfortunately the band was still on their way to Texas, so BJM singer/guitarist/leader ANTON NEWCOMBE jammed with his friends, Austin-natives THE BLACK ANGELS, for one 10-minute, improv song, and it was awesome—it was really tight and the audience was really into it. After that, the Angels played their own set and it was great, too; surprisingly, I really dug their experimental rock set.
Then I headed over to the Aussie BBQ to see my favorite Aussie band, THE LIVING END. I love this band. They’ve been around for at least a decade, and they have their slick punk-pop down pat, and I have no qualms with how much I love it.
My first night show was THE EIGHTEENTH DAY OF MAY. This London six-piece plays lovely English folk music that’s garnished with interesting instruments (dulcimer, autoharp, harmonium, sitar, and glockenspiel, to name a few) and beautiful vocals from most of its members, particularly those of lead vocalist ALLISON BRICE.
From there I headed over to the Blender Bar at the Ritz for the BBC 6 Music British showcase. First on was BRAKES, with members from BRITISH SEA POWER and ELECTRIC SOFT PARADE, and they played a great set of dark, dancy post-punk.
Next up was the band I had been waiting all day to see, THE KOOKS. (The picture above was taken the next day after I saw the band again during an impromptu photo session). I’m happy to report that this band sounds as great live as they do on record. I think this is the most exciting band from Britain at the moment—Arctic who’s?— their sound is a bit like that of early KINKS and ROLLING STONES and they’ve got the whole boho look down pat. But regardless of their look and their influences, this is a band whose live performance is great fun and full of energy – they seem wise beyond their years.
I left the venue early, missing sets by JIM NOIR and EDITORS so I could catch another joyous, uplifting set from THE BOY LEAST LIKELY TO at Elysium.
After all this, I was quite tired, so I decided to end my day at Spiro’s and Spiro’s Patio. First up were the FIVE O’CLOCK HEROES outside on the patio. This band, with members from both sides of the Atlantic, plays a great blend of British post-punk and American pop.
Then I went back inside to catch the MOST SERENE REPUBLIC. The band’s name does not lie: they play calming (serene even!), lush indie pop.
My final band of the evening was a band I had only heard of in passing, AEROPLANES. They reminded me of TOM PETTY, if Tom Petty were from Liverpool.
I went back to my room, collapsed onto my bed, and got a bit of sleep before my last day in Texas.
[Part V to follow]
Filed under music festival concerts
Comments
Rachel,
I remember rocking out to The Living End in high school, but I can’t remember the song I loved. Something about not needing anyone to tell us what to do? Any help would be much appreciated. Wish I knew they played SXSW, I would have liked to have seen ‘em.
— Kristen Sollee 2006-04-04 06:16 #
Kristen, the song you’re referring to is “Prisoner of Society” from their 1st (American; they had several Australian releases before that), self-titled album on Reprise from 1999. I don’t like most modern pop-punk, but I really like that entire record a lot or at least I did so at the time. I haven’t listened to it in a long time. Actually I just put it on now. It still sounds great. They sound more like Rancid or even a harsher Green Day than your average pop-punk band, though with a stand-up bass they have a bit of a rockabilly feel at times, too. I lost touch with them after being disappointed with Roll On, the follow-up album, though I’m sure they still great live.
— Matthew Berlyant 2006-04-04 14:48 #
Yes, they are still great live! I never realised how much Green Day owe to them until recently. All of their follow up albums have been good—maybe not excellent, but there have always been a few songs on each album that are unbelievable. “Prisoner of Society” was the song that got me into them…I still love that song, although I think “Roll On” has become more popular. My favourite TLE song is “English Army”...check it out if you can!
— Rachel Pesin 2006-04-04 15:32 #
all tle’s bsides are absolutely amazing. there are a lot of covers and are definitely worth checking out. From what i could tell from the two shows i saw of theirs at SXSW, the new record that’s coming out here in june/july time (it’s already out in Australia) is going to be amazing!
— sarah 2006-04-04 18:32 #
I just downloaded “Prisoner of Society” and it rocks as hard as I remember. Yay! Thanks Rachel and Matt for reminding me of this band/song!
— Kristen Sollee 2006-04-05 02:38 #
Rachel, I don’t think that Green Day owe The Living End anything. Green Day have been recording since 1989 (their debut single was “1000 Hours” on Lookout in that year) whereas The Living End have only been around since the mid ‘90s (at least on record) and it’s doubtful that Green Day would’ve heard them before 1995, though I suppose it’s possible that Green Day’s later records could be informed by them somewhat.
As for the comparison I made above, I think it’s mostly coincidental. Both bands obviously love The Clash and Green Day have incorporated elements of rockabilly into their more recent music, most notably on the album Warning. Billie Joe’s vocals, however, owe way more to the suburban SoCal drawl of Mike Ness (Social Distortion) or Leonard Graves Phillips (The Dickies) than to the gruff, rootsy style of Joe Strummer, though, which is a huge difference.
With that out of the way, I have to say that I prefer The Living End’s s/t album from 1999 over anything Green Day’s ever done aside from their early Lookout stuff, which I used to be a massive fan of in high school when it came out. By the time Dookie came out and sold 10 million records, I lost interest and not because it was popular but because my musical taste had moved on by that point towards the late ‘70s/early ‘80s punk/new wave/post-punk stuff (i.e. the stuff that influenced bands like Green Day).
— Matthew Berlyant 2006-04-06 20:53 #