The album is a flat-out gorgeous set of psych-tinged shoegazer pop tunes.
Picking up right where Slot left off, the quartet pours gouts of psychedelic guitar over sturdy dream pop melodies.
Following up their self-titled compilation of EPs, the New York/Australia quintet the MORNING AFTER GIRLS unleash Alone, as fully formed a debut statement as one could wish for.
Darkness is most effective when contrasted against the light.
California’s A.M. VIBE shivers in the embrace of a dual love.
Originally released on Creation in 1992, this awkwardly titled sophomore album is a fine examples of postpunk psychedelic rock/pop.

A ROB DICKINSON show wouldn’t be complete with at least a few dips into the Catherine Wheel catalog.

The Pixies may have written about a planet of sound, but Swervedriver lived there.

I thought that this show was, in the words of MISSION OF BURMA, good not great.

The sound is a bit heavier, rhythms a bit stronger. That added heaviness is balanced, however, by the addition of female vocals.