
A ROB DICKINSON show wouldn’t be complete with at least a few dips into the Catherine Wheel catalog.

The Pixies may have written about a planet of sound, but Swervedriver lived there.

I thought that this show was, in the words of MISSION OF BURMA, good not great.

The sound is a bit heavier, rhythms a bit stronger. That added heaviness is balanced, however, by the addition of female vocals.

The performance was less about subtlety, layering and mood than about in-your-face rocking.

The shoegaze revival continues with this Brooklyn band’s sophomore release. If I’d been told that Asobi Seksu translated as “we love instrumental codas,” I’d’ve believed it.

FILM SCHOOL let out blasts of noise that would’ve made their early ‘90s influences proud, thus further clearing out the unfortunately already small crowd.

Rob still has an amazing voice and he wrote some of the best songs of the ‘90s!

This wonderfully textured music takes me back to the early 1990s, when bands such as SWERVEDRIVER, SLOWDIVE, and KITCHENS OF DISTINCTION erected brooding, monumental mid-tempo song-sculptures.

Is the leap in venue size from the 200-capacity Mercury Lounge to the 500-capacity Bowery Ballroom in just two months time a sign of their growing popularity or mere hype?