The eight song album (five originals, three covers) is, to my ears, her strongest release yet.
Saving soul and rock & roll from the histrionic hordes.

This is soul offering little uplift (some hypnotic grooves and the momentum built from insistent repetition) but plentiful painful catharsis.

Hebb’s soft voice is as warm and charming as it was on “Sunny” back in ‘66, and the tasteful arrangements are smoothly authentic.

Cat Power keeps on soul patrol, waves goodbye to the past.
Shouldn’t music critics know something about, you know, music?

Not only is this some of the best funk of the period, and historically important as the root source of what in a few years would become the Washington D.C. Go-Go scene, it includes one of the most heavily sampled breakbeats around, from the instrumental “Ashley’s Roachclip.”
“I’ll Go Crazy” is as good of a place to start talking about the greatness of JAMES BROWN as any.

This souvenir from 17 years ago catches Dr. John in action at a beloved New Orleans nightclub. The ten-song program’s a nice mix of Rebennack-penned classics, New Orleans standards, and blues/R&B warhorses infused with Nawlins goodness.

This can’t really be called a “Best Of” without including any of LOU RAWLS’s hits, nor can all of the tracks here be termed either jazz or blues. None of this matters, though, because there are three things that matter more…