
There’s a buzz about this 1974 album among collectors of vintage psychedelia and prog-rock; quite a rarity, the original LPs — only 200 pressed — were supposedly going for as much as $1000 in online auctions (the highest I saw was $800).
There’s a pastoral atmosphere to these eight tunes, a certain deliberate pace that belies any need for frenzied musicianship.
One of Europe’s longest running progressive rock bands, Germany’s ELOY return after a decade-long absence with Visionary.
A collaboration between old friends and a way to kill time between projects, 801 was a project set into motion by guitarist PHIL MANZANERA during ROXY MUSIC‘s mid-70s hiatus.
It’s hard to believe it’s been 40 years since KING CRIMSON essentially invented progressive rock.
The band freely mixes pop, prog, folk, psychedelia and jazz in ways that highlight the tension between styles as much as the compatibility.
The Thief skillfully balances widescreen progressive rock structures with Bruce Soord’s heart-on-sleeve yearning.
Consisting of Hungarian, Polish and Italian natives living in London, OBIAT takes a non-regional approach to metal on Eye Tree π.
A STORM OF LIGHT is a side project for members of avant-garde underground metal acts, but Forgive Us Our Trespasses is more accessible than the parts of which it is the sum might indicate.
Norwegian singer/songwriter RHYS MARSH follows up his lovely debut with a LP that is both more muscular and prettier than his first.