
Somber and seductive, brooding and atmospheric, Tamaryn’s debut EP is filled with the kind of shimmering songs that alto chanteuses like Nico and Siouxsie Sioux offered us in years past.

VERSUS was a reminder that the marriage of distortion and noise with super sweet melodies and quiet/loud dynamics will never go out of style.

Mission of Burma relive the past, re-ignite the present, and give us hope for the future.

Overall this night was a smashing success. My only regret is not being able to see their show the next night!

Robert Smith and The Cure give us a Boston marathon.

Focusing entirely on their excellent new album, songs like “No Lucifer” sounded as if the band had found some setting for post-punk circa 1982.
Creeping forward whilst changing form and focus since the turn of the century, The Funeral Crashers have become a mainstay of New York City’s fledgling “new dark rock scene.” A new appreciation for The Crashers grew after immersing myself in their first full-length, so I decided to fill in the blanks through an interview.

A legendary post-punk band from Athens, GA, PYLON is more than just historically important (an obvious and frequently acknowledged influence on R.E.M., among others). This is great music, highly original at the time.

The Cult’s painfully disappointing Born Into This can’t simply be the result of an aging band out of touch with a musical landscape they once electrified in decades passed.

This hugely underrated 1979 post-punk debut LP from Bristol, England’s ironically named The Pop Group appears for the third time on CD, having finally acquired a bonus track.