This is the kind of music 80s college radio used to gobble up with a spoon, and well they should have.
TIN HUEY is the redheaded stepchild of Akron’s underground rock scene in the 70s.
Fielding a set of tunes from the band’s studio albums, Wilson and Geffen test their chemistry on stage in front of an adoring audience.
The Thief skillfully balances widescreen progressive rock structures with Bruce Soord’s heart-on-sleeve yearning.
The band’s dramatic, melodic pop/rock – like anthems scaled down for coffeehouse listening – shines with intelligence, compassion, poetic weight and heart.
GRANT HART has scattered gems across an intermittent solo career, of which Hot Wax is the latest.

Ex-Stranglers lead singer/guitarist Hugh Cornwell put on one of the most spirited performances I’ve ever seen by him.
The singer/guitarist’s latest solo record is a straightforward melodic rock & roll affair – nothing trendy or modern about it, thank goodness.
It was my first time seeing Brendan Benson solo in four years, and he didn’t disappoint.
It’s easy to be skeptical about the quality of an artist whose advocates tend to run toward the breathless. But Rhodes lives up to the hype.