
Of course the beauty of music is in the listener’s reaction to how it sounds. Why is this stated like a revelation? Is this also part of the super-saturation of image marketing, identity-politics, fashionable rebellion, and Marxist signifiers?
I am pleased to note that the Village Voice’s annual Pazz and Jop music critic’s poll has used two quotes from my piece on the Year in Music 2006 in their cover story this week. / “Jim Morrison was supposed to be a great poet, though none of us read poetry and would have hated it if we’d been forced to. Still, his literary reputation had the convenient effect of giving Morrison’s expressions an irrefragable claim to high merit, like the work of a Nobel laureate. The upshot of all of this was that Morrison became the hero of a bunch of small town teenagers who, naturally, got it all ass-backwards. I can’t break the connection in my head between Jim Morrison and the highly ironic movement of teen conformity that his life inspired.”

They’re called DANAVA and they’re from Illinois-via-Portland, Oregon. They’re definitely retro, but the influences have shifted to the mid-70s…
Stern’s radio show on Sirius Satellite, which listeners have to pay to hear, has been made available for free online and by pirate radio stations. With all the talk about music piracy, why did no one see this coming?

BONO says he’s working to end world poverty, but for an upcoming U2 show in Sao Paulo the cheapest full-price ticket will cost someone earning the minimum wage there two-thirds of his monthly salary.
A new study by British researchers argues that increased access to music is making people appreciate it—less.
Isn’t it more useful to read a list of 10 albums that you’ve never heard of than to read one more list of the same 10 albums that you already know are supposed to be ‘important’?
The problem is that as long as promoters and record labels function as bank-loan vehicles for artists, the equation is going to be a long shot for 99% of musicians.
Customization is predictable in an aging industry, and any music executive with an MBA should recognize the signs and see a revolution on the horizon.
And that’s apparently the good news in the accounting department of the music business.