
The Beating of the Wings is a rare breed of record, building a sonic bricolage from moody glam cabaret and early 80’s coldwave with an injection of Nine Inch Nails ire.

The idea of IDM is vague bordering on absurd, but when I first heard San Serac, somehow no label was more apt than Intelligent Dance Music.

Drums and Wires, released 30 years ago (August 17, 1979), initiated XTC Mark II.

Montreal’s Xavier Paradis may have the French connection, but is actually a forerunner in the distinctly North American movement of minimal synth that has been seething below the surface since the 1990’s.

They played virtually all of 45s Singles and Under, so any casual fan would’ve been satisfied with the show.

Using a combination of the original session tapes, demos, and newly recorded parts, near the end of last year the band put out a version conforming to their own sound rather than their producers’. Three decades on, the classic underneath the bad production has been revealed, proving that the excitement they generated in their home base of Los Angeles was not mere hype.

The day the nerds won.

After DEVO got the ubiquitous “Whip It” out of the way early on, then we really got the good stuff.

In summary, this show pleased both the diehards and the casual fans alike.

Despite a focus on the weighty and the wistful, the Opposite Sex’s debut full-length still has a vibrant violence that makes the band’s post-punk stylings so intriguing.