
Can old school thrash metal bands still bring it? As long as they mix it up and keep you on your toes they can.
My series on Middle Eastern black metal continues with a look at Cyprus.
My series on Middle Eastern black metal continues with a look at Egypt.
The latest album from Chicago instrumental rock quartet continues the trend begun on its last couple of records.
My series on Middle Eastern black metal continues with a look at Bahrain.
Consisting of Hungarian, Polish and Italian natives living in London, OBIAT takes a non-regional approach to metal on Eye Tree π.
My series on Middle Eastern black metal continues with a look at Saudi Arabia.
Dirty power chords and raspy vampire screeching are often the only things connecting the record to black metal; much of the music revolves around cosmic atmospheres, epic song structures and sonorous violin.
My series on Middle Eastern black metal continues with a look at the United Arab Emirates.
Supergroups often come with diminished expectations these days – there have been way too many instances in which I’d’ve rather have had new albums by the principals instead of a mediocre group effort that just waters down individual strengths.