
Fasteau will be playing this Tuesday, October 14 at 10 PM at Bowery Poetry Club, 308 Bowery, NYC with Clif Jackson (bass), Ron McBee (percussion, berimbau), and guests. This is part of the monthly ESP-Disk series at BPC.

For male vocalists in pop music, it’s the tenors who get all the glory, but in jazz and much soul it’s the baritones, and when I saw this San Francisco-based veteran compared to JOE WILLIAMS and LOU RAWLS, I was eager to check him out.
Levin, a grizzled veteran by now, has come to a distinctive style that, while certainly inspired by his predecessors’ work, is never obviously derivative of anyone in particular. Nor does it stand in one place; Levin is just as likely to play a melodic phrase as to unleash flying flurries of evolving patterns arpeggiated and/or scalar or soar into the altissimo register of his tenor in ecstatic exultation.

Each performance ranged from quiet, reflective and almost meditative to short, fast bursts of dissonant noise.
How did Universal Music Group celebrate the 40th anniversary of the July 17, 1967 death of John Coltrane? By continuing to milk his catalog for all it’s worth.
Every year, this artist-curated avant-garde jazz festival offers the greatest concentration of outstanding performances in New York.

Jazz/world music clarinetist/saxophonist TONY SCOTT died on March 28, and as so often happens, that prompted me to see what of his I had to listen to. It turned out that I had very little of his early recorded output, so I bought two recent compilations of his ‘50s material to do some belated catching up.

If you’re holiday shopping for a box set to give to a jazz fan, consider this exemplary new compilation. Weather Report was one of the most influential electric jazz bands, setting fusion trends and then moving beyond them to set new ones.

It’s always a welcome event when JAMES “BLOOD” ULMER’s genre-twisting harmolodic trio reunites for a rare recording session.

This can’t really be called a “Best Of” without including any of LOU RAWLS’s hits, nor can all of the tracks here be termed either jazz or blues. None of this matters, though, because there are three things that matter more…