All of a sudden, the crowd stood, clapped, cheered and a good time was had by all.
Now that the X-mas rush is over, I wanted to post 17 bonus reviews that I had intended to include in the current issue 65, but ran out of time running up against that issue’s deadline. / Make sure you tune in this coming Monday, the 28th to the weekly Big Takeover radio show at Breakthruradio.com, as I will be hosting a 2009 wrap-up, a countdown show of my 20 favorite albums of 2009 in reverse order, one song each. / Just a reminder to check out the new issue 65 of Big Takeover with the smokin’ live shot of Thurston Moore of Sonic Youth on the cover!

This album often suggests the feelings from a nerve stretched taut and sawed at. Don’t put this on for a comfortable listen; put it on for intense and disturbing catharsis.

Some of the songs here seem like folk disguised with electric guitar, beautiful and personal in their expression.
Austin’s PEOPLEFOOD boasts a neat sound on its debut EP.
Created and curated by producer/musician TOM DYER, Seattle’s Green Monkey Records operated in the 1980s and early 1990s, covering the city’s independent music scene.
There are enough signifiers to remind you of a million other bands, but they fit together loosely enough to make direct comparison impossible.
Austin’s NEW ROMAN TIMES continues the American love affair with British guitar pop on its debut album.
I wouldn’t wanna go back to the Husker Du mentality, side 2 of Zen Arcade. That’s not really good for anybody’s health.
My neighborhood was turned upside down. I live right in the epicenter of Obama world. It’s a huge difference.