
The set focuses on analogue electronic music with the requirement that it be synthetic yet organic and created through a symbiotic relationship between man and machine.

Accompanied by musicians on bassoon, harp and clarinet, it felt more like a classical recital than a stereotypical rock concert.

If BOREDOMS ever come near you, don’t hesitate to see them. There’s no one else on earth even remotely like them.

Boredoms drum Boston straight into self-actualization
Knowing to expect the unexpected, we definitely got our money’s worth in that department from PHANTOM ORCHARD.

All in all, I think NO AGE sounds better live than they do on record.
With the staccato surge and somber vocalizing of DAF, the distorted synthetic soundscapes of Dirk Ivens’ eeriest work, and the industrial strength of The Young Gods, Martial Canterel’s Refuge Underneath is a bleak intellectual exercise in the dark and danceable.

With a band like Radiohead, first impressions rarely stick. While I can’t yet hail In Rainbows as a ‘masterpiece,’ I know it sure as heck comes close.

Low guitarist delivers a collection of dark, frightening landscapes turned to sound, pushing listeners to really focus on the emotional, physical quality of timbre and the way it can create a sense of space – or, on occasion, a claustrophobic lack of space.

MAYO THOMPSON, dressed in jogging pants, leaped around the stage like a man half his age, gazing upon the audience with a slightly mad look.