
The set focuses on analogue electronic music with the requirement that it be synthetic yet organic and created through a symbiotic relationship between man and machine.

Simply put, everything about this show was perfect. HOT CHIP put on the best show I’ve seen all year.

Yeah, the chiming guitars and chord progression of “Graveyard Girl” keep threatening to turn into “Money Changes Everything,” but that fits well with the ‘80s love on display throughout – usually much more synthpop, of course.
My neurotic downloading compulsion began with electronic music, so in the interests of linear chronology, it is only fitting that I begin with the artists that led me down this path of chronic gigabyte consumption.

The two-drummer setup reminded me of THE FALL circa 1982-1983 or BUTTHOLE SURFERS in their prime.
With the staccato surge and somber vocalizing of DAF, the distorted synthetic soundscapes of Dirk Ivens’ eeriest work, and the industrial strength of The Young Gods, Martial Canterel’s Refuge Underneath is a bleak intellectual exercise in the dark and danceable.

After attending GOLDFRAPP’s delicious live show twice in the past six months and falling in lust with their newest electro-glam masterpiece, Supernature, I was excited to speak with the platform-loving siren behind the songs, ALISON GOLDFRAPP.

I couldn’t have asked for a better first show at South-by-Southwest.

Oh. My. God. I have seen the future of electro and it looks good.