
Stars ‘n’ Bars weren’t waving in the crowd, but the spirit of the deep south as defined by three blazing guitars was on full display.

Neko Case and her big voice fills the airy Wilbur Theatre quite easily while a stripped down Calexico breezes through their songs.
Damron’s third record Father’s Day is full of characters on the losing end of life.
Kamp is a triple threat: a fine singer, a frightening multi-instrumentalist and a strong songwriter.
It’s too bad the magazine No Depression is no more, as OLD CALIFORNIO would surely be one of its cover stars.
Fugitive Songs doesn’t have the immediate impact of past Jones classics like Fait Accompli, but repeated listens reveal its grimy charms.
It’s steeped in the more lush, melodic aspects of the Me Decade as Johnstone mixes and matches sonics borrowed from various CSN&Y, BIG STAR, POCO and PAUL MCCARTNEY records.
Producer CHRIS ROBINSON gives the duo a back porch/living room atmosphere, as if you’ve stumbled onto a couple of old buddies running through songs they used to play together, as well as showing off new ones.

For the second and final encore, it was a return to the older, more straight-ahead rockers.

The Truckers have long specialized in gritty portrayals of the New South’s sordid sides. A few titles such as “Daddy Needs a Drink,” “You and Your Crystal Meth,” and “A Ghost to Most” give an idea of the dirty soap operas that play out across this epic album, but the black humor – usually paired with a profound empathy – runs deep through most of the 19 songs.