A recent trip to LA rekindled my love of Sega games. Now I’m playing those games on my PC.

I know that MICHAEL NESMITH had a lot to do with easing the transition from what DAVID BERMAN calls the roped off amusement park called ‘Rock World,’ toward a wider appreciation of ‘roots music’ and country in particular, just as GRAHAM PARSONS, GENE CLARK, RAY CHARLES, THE GRATEFUL DEAD, BOB DYLAN, or maybe (just maybe) the ‘alt country’ movement have for others.

While some could claim that we probably never would have heard of, much less care, about MICHAEL NESMITH, had it not been for the Monkees, it’s equally plausible that his success with THE MONKEES has actually prevented a greater appreciation for his solo work.
To enable as many people as possible to engage in the discussion of music has got to be a good thing, right? In this light, it’s less perverse than it may otherwise seem to call Idol “punk”—there is an ethos of democracy to both genres, at least ostensibly.

There is nothing to love about Love Monkey.
“You’re drowning in the past Mike, and I got your life jacket right here. It’s called the 80’s and it’s gonna be around forever!”